The leading journal devoted to all aspects of popular culture and cult media, "Headpress 25 "turns its attention to the Dream, or Flicker, machine. On this subject, it features interviews with William Burroughs-following a chance meeting at a bus stop by writers Johnny Strike and Gregory Daurer-and Paul Bowles. The cover is a striking oil painting of Burroughs in Tangiers. "Headpress 25 "also includes a detailed look at the neglected life and career of the late Luis de Jesus, a "star" of diminutive stature whose film appearances range from sadistic sidekick in the cult 1976 feature, "Blood Sucking Freaks," to numerous hardcore porn features, of which the most notorious is "The Anal Dwarf,"

The leading journal devoted to all aspects of popular culture and cult media, Headpress 25 turns its attention to the Dream, or Flicker, Machine. Featuring interviews with William Burroughs and Paul Bowles, Headpress 25 also includes a detailed look at the neglected life and career of the late Luis de Jesus, a star of diminutive stature whose film appearances range from sadistic sidekick in the cult 1976 feature Blood Sucking Freaks, to numerous hardcore porn features, of which the most notorious is The Anal Dwarf.

A gothic, blood curdling edition of the world's greatest journal of sex, religion and death. Incisive and cutting edge essays from the world of underground film, fanaticism, crime, sex, art, trash and sleaze. Contents include; A visit to the reclusive director of 70s seminal obscure horror movie Last house on Dead End Street, interview with Tom Robbins whose book 'Another Roadside Attraction' Elvis was reputed to be reading when he died, and Laurence O'Toole, author of 'Pornucopia' on set with gonzo pornmaker Buttman. Illustrated with 20 black and white illustrations.

The phenomenon of so-called 'snuff movies' (films that allegedly document real acts of murder, specifically designed to 'entertain' and sexually arouse the spectator) represents a fascinating socio-cultural paradox. At once unproven, yet accepted by many, as emblematic of the very worst extremes of pornography and horror, moral detractors have argued that the mere idea of snuff constitutes the logical (and terminal) extension of generic forms that are dependent primarily upon the excitement, stimulation and, ultimately, corruption of the senses. Snuff: Real Death and Screen Media brings together scholars from film and media studies to assess the longevity of one of screen media's most enduring cultural myths. Thorough, provocative, and well argued, the contributions to this volume address areas ranging from exploitation movies, the video industry, trends in contemporary horror cinema, pornography and Web 2.0.

The Daily Mirror regarded him as "The mastermind behind the biggest con of 2001."

Utilising in-depth reviews, cast and plot details, Slimetime wallows in those films which the world has deemed it best to forget - everything from cheesy no-budget exploitation to the embarrassing efforts of Major Studios. Many of these films have never seen a major release, some were big hits, and others have simply vanished. To compliment the wealth of reviews on sci-fi, schlock, flower power and puppet people films are detailed essays on specific sleaze genres such as Biker, Blaxploitation and Drug movies. Fully updated and revised with new reviews and new illustrations.