"On a beautiful Pennsylvania fall morning, a gunman holds college freshman Yoona Lee and three of her classmates hostage in the claustrophobic confines of their dorm room. The desperate man with his finger on the trigger--Yoona's onetime friend, Lloyd Kang--is unraveling after a mysterious accident in Korea killed his closest friend, Jaesung, who was also the love of Yoona's life. As the tense standoff unfolds, Yoona is forced to revisit her past, from growing up in an abusive household to the upheaval in her ancestral homeland to unwittingly falling in love. She must also confront the truth about what happened to Jaesung on that tragic day, even as her own fate hangs in the balance."--Provided by publisher.

A Small Revolution in Germany is about growing up, or refusing to accept what growing up means; it's about the small dishonest pacts that people make with their own futures; and it's about the rare and joyous refusal to be disillusioned. Everyone remembers what it's like to be seventeen. The conversations you have; the ideas that burst on you; the kiss that transforms you. And then you grow up, and make a deal with adulthood. A Small Revolution in Germany is about that rapturous moment when ideas, and ideals, and passion crash over one boy's head. And what happens in the decades afterwards? When you see the overwhelming truth when you are seventeen, why should you ever abandon that truth? Spike is brought into a small, clever group of friends, bursting with a passion for ideas, and the wish to change the world. They smash up political meetings; they paint slogans on walls; they long for armed revolution; they argue, exuberantly, until dawn. In the years to follow, they all change their minds, and go into the world. They become writers, politicians, public figures. One of them becomes famous when she dies. They all change their minds, and make sensible compromises. Only Spike stays exactly as he is, going on with the burning desire for change, in the safe embrace of unconditional love. Alone from the old group, he is the only one who has achieved nothing, and who has never deviated from the impractical shining path of revolution he saw as a teenager. Thirty years on, photographs of the teenage group look like a bunch of celebrated individuals, with only one unknown face in it - Spike.

Thomas Kuhn (1922-96) transformed the philosophy of science. His seminal 1962 work "The Structure of Scientific Revolutions" introduced the term 'paradigm shift' into the vernacular and remains a fundamental text in the study of the history and philosophy of science. This introduction to Kuhn's ideas covers the breadth of his philosophical work, situating "The Structure of Scientific Revolutions" within Kuhn's wider thought and drawing attention to the development of his ideas over time. Kuhn's work is assessed within the context of other philosophies of science notably logical empiricism and recent developments in naturalized epistemology. The author argues that Kuhn's thinking betrays a residual commitment to many theses characteristic of the empiricists he set out to challenge. Kuhn's influence on the history and philosophy of science is assessed and where the field may be heading in the wake of Kuhn's ideas is explored.

'Don't interrupt me, ' said Wells, 'can't you see I'm dying!' In this seminal biography, Vincent Brome recounts the rich fantastic cauldron of Wells' life - from his politics and writing to his complex and torn emotional life, and his painful, lingering death. Here was a man 'whose greatness lay in his ordinariness', but who was never truly ordinary.

Offers new insights into both the successes and the limitations of Latin America's left in the twentieth century.

This volume presents the findings of an international research symposium, held at St Andrews University, Scotland, in July 2003. Contributors include both biblical scholars and anthropologists. The essays presented variously explore and review interdisciplinary links, innovations and developments between anthropology and biblical studies in reference to interpretation of both the OT and NT and pseudepigraphal works. Explored are methodological issues, the use of anthropological concepts in biblical studies (identity; purity boundaries; virtuoso religion; spiritual experience; sacred space) and more ‘field orientated’ work of bible translators in different cultures.

Henry James was the final survivor of a remarkable family, and his memoir, written at the end of a long and tireless career, was prompted initially by the death of his "ideal Elder Brother," the psychologist and philosopher William James. A Small Boy and Others recounts the novelist’s earliest years in Albany and, more importantly, New York City, where he was allowed to wander at will. He evokes the theatrical entertainments he enjoyed, the varied social scene in which the family mixed, and the piecemeal nature of his education. With the first of several extended trips, the "romance" of Europe begins as the small boy becomes acquainted with a British culture already familiar from his precocious reading of the great Victorian novelists. And it is in France, in the Louvre’s Galerie d’Apollon, that he undergoes an initiation into the aesthetic power of great art and an intimation of all the "fun" it might bring him. Yet the child also registered, within this privileged and extended family group, signs of dysfunction and failure. James’s autobiography has significantly determined the nature and even the terms of the extensive biographical and critical interest he continues to enjoy. This first fully annotated critical edition of A Small Boy and Others, which guides the reader through the allusive complexities of James’s prose, also offers fresh insights into the formative years of one of literature’s most influential figures.