Publisher Description

In post-apartheid South Africa, a Zulu boy keeps secrets from his family as he cares for an injured dog and befriends the daughter of a white farmer.

Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization. Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.

Dog anatomy, breeding, breeds, equipment, health, law, monuments, organizations, related professions and professionals, shows and showing, sports, training and behavior, types, working dogs. Dogs in popular culture, famous dogs, fictional dogs, films. The dog is a canine mammal of the Order Carnivora. Dogs were first domesticated from wolves at least 12,000 years ago but perhaps as long as 150,000 years ago based on recent genetic fossil evidence and DNA evidence. In this time, the dog has developed into hundreds of breeds with a great degree of variation. This guide details the dog anatomy, breeding, breeds, equipment, health, law, monuments, organizations, related professions and professionals, shows and showing, dog sports, training and behavior, dog types, working dogs, as well as dogs in popular culture, famous dogs, fictional dogs, films about dogs, dogs as pets, and many other related aspects.

Zulu is a young Muslin African- American man that's going on an unique religious journey. Struggling to find himself in this illusionistic world, that's full of false acceptance, fake friends, fake love and a deadly reputation. He'll give his loyalty to a gang that will lead him closer to the hell-fire by indulging in the worldly life of crime and not listening to his mother's religious teaching of Islam, who only prays and wishes the best for him. While beginning as a juvenile his so-called friend/homie, Trigg's guidance leads him in and out of incarceration. Until he caught a case facing the death penalty that ultimately has his mother's words reverberating, leaving him to make a life or death decision... Will he continue to follow Trigg or man up by following the righteous path?