Nine-year-old Zulema, the meanest girl in school, decides to change her wicked ways after receiving a visit from the witch owl.

"Learn about owls as you follow a day in the life of a little owlet."--Back cover

Kids need help learning how to manage their anger. Blending solid information and sound advice with humor and lively illustrations, these anger-management tips guide kids to understand that anger is normal and to learn they can express it in healthy ways. The book teaches them how to recognize anger in themselves and others, how to handle situations and emotions (loneliness, guilt, frustration, fear) that lead to or mask anger, and how to deal with the anger they feel. This revised edition addresses children’s exposure to increased societal violence and includes discussion and examples of anger related to texting and social media. Young readers learn that cruelty and violence are not acceptable and there are safer, more positive ways to resolve conflicts. They also discover what to do when people around them are angry, how to get help, and how to locate other resources when they need more support.

Tomàs Rivera quite possibly has been the most influential voice in Chicano literature. Besides his masterpiece, ƒy no se lo tragÑ la tierra / ƒAnd the Earth Did Not Devour Him, included here is the sum total of his published works, in English and Spanish, as well as many that never made print in his lifetime.

As Owl blocks the entrance to a lemming den, he's sure he'll have a tasty meal in the little animal. But this smart rodent will appeal to the boastful owl's sense of pride to get away.

In the title story of this collection, Isabela is minding her family’s restaurant, drinking her dad’s beer, when Frida Kahlo and the Virgen de Guadalupe walk in. Even though they’re dressed like cholas, the girl immediately recognizes Frida’s uni-brow and La Virgen’s crown. They want to give her advice about the quinceanera her parents are forcing on her. In fact, their lecture (don’t get pregnant, go to school, be proud of your indigenous roots) helps Isabela to escape her parents’ physical and sexual abuse. But can she really run away from the self-hatred they’ve created? These inter-related stories, mostly set in East Los Angeles, uncover the lives of a conflicted Mexican-American community. In “Sabado Gigante,” Bernardo drinks himself into a stupor every Saturday night. “Aqui no es mi tierra,” he cries, as he tries to ease the sorrow of a life lived far from home. Meanwhile, his son Gustavo struggles with his emerging gay identity and Maritza, the oldest daughter, is expected to cook and clean for her brother, even though they live in East LA, not Guadalajara or Chihuahua. In “Powder Puff,” Mireya spends hours every day applying her make-up, making sure to rub the foundation all the way down her neck so it looks like her natural color. But no matter how much she rubs and rubs, her skin is no lighter. Estella Gonzalez vividly captures her native East LA in these affecting stories about a marginalized people dealing with racism, machismo and poverty. In painful and sometimes humorous scenes, young people try to escape the traditional expectations of their family. Other characters struggle with anger and resentment, often finding innovative ways to exact revenge for slights both real and imagined. Throughout, music—traditional and contemporary—accompanies them in the search for love and acceptance.