Zoya Phan was born in the remote jungles of Burma, to the Karen ethnic group. For decades the Karen have been under attack from Burma's military junta; Zoya's mother was a guerrilla soldier, her father a freedom activist. She lived in a bamboo hut on stilts by the Moei River; she hunted for edible fungi with her much-loved adopted brother, Say Say. Many Karen are Christian or Buddhist, but Zoya's parents were animist, venerating the spirits of forest, river and moon. Her early years were blissfully removed from the war. At the age of fourteen, however, Zoya's childhood was shattered as the Burmese army attacked. With their house in flames, Zoya and her family fled. So began two terrible years of running from guns, as Zoya joined thousands of refugees hiding in the jungle. Her family scattered, Zoya sought sanctuary across the border in a Thai refugee camp. Conditions in the camp were difficult, and Zoya now had to care for her ailing mother. Zoya, a gifted pupil, was eventually able to escape, first to Bangkok and then, with her enemies still pursuing her, in 2004 she fled to the UK and claimed asylum. The following year, at a 'free Burma' march, she was plucked from the crowd to appear on the BBC, the first of countless interviews with the world's media. She became the face of a nation enslaved, rubbing shoulders with presidents and film stars. By turns uplifting, tragic and entirely gripping, this is the extraordinary true story of the girl from the jungle who became an icon of a suffering land.

Noor Inayat Khan was the first female radio operator sent into occupied France and transferred crucial messages to the Resistance. Johtje Vos, a Dutch housewife, hid Jews in her home and repeatedly outsmarted the Gestapo. Law student Hannie Schaft became involved in the most dangerous resistance work—sabotage, weapons transference, and assassinations. Soviet pilot Anna Yegorova flew missions against the Germans on the Eastern Front in an all-male regiment, eventually becoming a squadron leader. In these pages, young readers will meet these and many other similarly courageous women and girls who risked their lives to help defeat the Nazis. Thirty-two engaging and suspense-filled stories unfold from across Germany, Poland, the Netherlands, France, Belgium, Denmark, Great Britain, the United States and, in this expanded edition, the Soviet Union, providing an inspiring reminder of women and girls' refusal to sit on the sidelines around the world and throughout history. An overview of World War II and summaries of each country's entrance and involvement in the war provide a framework for better understanding each woman's unique circumstances, and resources for further learning follow each profile. Women Heroes of World War II is an invaluable addition to any student's or history buff's bookshelf.

Socialist Cosmopolitanism offers an innovative interpretation of literary works from the Mao era that reads Chinese socialist literature as world literature. As Nicolai Volland demonstrates, after 1949 China engaged with the world beyond its borders in a variety of ways and on many levels—politically, economically, and culturally. Far from rejecting the worldliness of earlier eras, the young People's Republic developed its own cosmopolitanism. Rather than a radical break with the past, Chinese socialist literature should be seen as an integral and important chapter in China's long search to find a place within world literature. Socialist Cosmopolitanism revisits a range of genres, from poetry and land reform novels to science fiction and children's literature, and shows how Chinese writers and readers alike saw their own literary production as part of a much larger literary universe. This literary space, reaching from Beijing to Berlin, from Prague to Pyongyang, from Warsaw to Moscow to Hanoi, allowed authors and texts to travel, reinventing the meaning of world literature. Chinese socialist literature was not driven solely by politics but by an ambitious—but ultimately doomed—attempt to redraw the literary world map.