In the context of the transformations that Europe is undergoing, Zoom in, Zoom out: Crossing Borders in Contemporary European Cinema attempts to serve as a testimony to the multiple ways in which European filmmakers are questioning the many borders of the continent. European films have become a vital cultural space where the relationship between borders and identity is being renegotiated. The films discussed here self-consciously address the question of European identity while overtly crossing geographic, cultural, linguistic and aesthetic borders. While all the articles explore the crossing of borders in Contemporary European films, the volume maintains diverse themes and perspectives as subtopics. It includes articles not only about films that deal thematically with border-crossings, but also articles that examine movies that cross borders in genres and techniques. The articles have different theoretical approaches (Film theory, Cultural Studies, History, Sociology, Philosophy, and Psychoanalysis) and cover films from well-known cinematic traditions (French, Spanish, German, and Italian) as well as lesser-known cinematic traditions (Yugoslavian, Greek, and Irish). As a whole, the essays frame the self-conscious gesture by European filmmakers to define European cinema as a work-in-progress, or at the very least, as a project that, like Europe itself, raises as many questions as it answers. "This volume is a welcome addition to the growing critical literature on the evolution of the conception and practice of national cinema in Europe over the last two decades. Sandra Barriales-Bouche and Marjorie Attignol Salvodon have chosen a solid selection of representative case studies that reflects different critical approaches to the problem of maintaining local or national cinema production in Europe during a period of intense globalization. Their insightful introduction formulates the theme of “unsettled borders” and “renegotiated identities” that will resonate in the nine essays that follow. With a focus on the critical concept of these unsettled borders, the various authors explore the ways that the traditional mark of national space has been transformed through political and economic realignments as well as new technologies and the emergence of a new generation of filmmakers for whom national cinema no longer means what it did even twenty years ago. The volume provides a good balance of critical approaches that includes auteur studies, descriptions of state policies and the particular practices of filmmakers and producers in different parts of the continent (Spain, Germany, Ireland, the Balkans) and, finally, useful appendices that provide a close-up view of the complex nature of international co-productions." —Marvin D’Lugo, Professor of Spanish, Clark University "This is an interesting collection of essays that has been well conceived and organised. The standard of writing is high and I recommend publication. I particularly commend the conceptual framework underpinning the volume. This marries a cultural studies approach, which still dominates the study of film in Area Studies and language departments across Europe and the US (where filmic texts are increasingly used as teaching tools), with the more industry-based focus one tends to find adopted by Media and Screen Studies departments. Thus this collection will appeal to a wide range of students and academics. The introduction sets out the volume’s overarching framework cogently and clearly, giving a nuanced exploration of the way that the notion of the border can be used as a dynamic prism to help define and explore the limits of our understanding of Europe, European identity and European culture, within which cinema has long played a key role. The editors give a good account, for example, of the way film has been employed as a space to explore the possibilities of European integration by EU politicians as well as highlighting the flaws inherent within this project. They do, however, perhaps suggest a certain Western European/North American-centric view in their suggestion that the cinema of Yugoslavia, Greece or Ireland is somehow less well known than other national and transnational cinemas explored here. Less well known to whom? ... However, from the broad range of cinemas explored in the rest of the volume clearly this is not the case. Particular high points for me are the chapters on the work of Fatih Akin by Janis Little Solomon and John Davidson’s discussion of Schulze gets the Blues, as well as Olivier Asselin’s fascinating account of Database Cinema. This will be a good addition to scholarship on European film and I look forward to receiving my copy." —Professor Paul Cooke (University of Leeds)

Zoom Deutsch will captivate your 11-14 year old students with integrated video, whatever the starting point! The course is fully flexible providing clear routes for students following both two-year and three-year courses at KS3 and catering for the full ability range.

"Zoom goes zero to sixty in nothing flat. It's an exciting ride into the future of the world's favorite physical object, the automobile." -Gregg Easterbrook, author of THE PROGRESS PARADOX "Zoom offers a new way to think about cars and energy that's key to understanding the forces shaping business today. It's smart, well-informed and insightful--exactly what one would expect from two of The Economist's best journalists." -Chris Anderson, author of THE LONG TAIL "Zoom puts oil in its sights and squeezes off one telling round after another. Car lovers will see a sunny future with other fuels; OPEC a steadily darkening twilight." -R. James Woolsey, VP, Booz Allen Hamilton; former Director of Central Intelligence "An incisive analysis of the end of the petroleum age, including all its repercussions and opportunities." -Vinod Khosla, Khosla Ventures "Oil is the problem. Cars are the solution." Those two simple sentences by the authors of Zoom define the scope of their illuminating and important book, an examination of a transformation in business and culture that is occurring before our eyes. We are living in the midst of a Great Awakening. People are seeking environmentally-sound alternatives to gas guzzlers. Detroit's reign is over. Oil companies, despite their billion-dollar profits, could be on the brink of extinction if they don't adapt. And citizens, all too aware that these industries have lobbied politicians into gridlock over energy policy, are mobilizing to support leaders who advocate new policies. In Zoom, Iain Carson and Vijay V. Vaitheeswaran, award-winning correspondents for The Economist, show why and how geopolitical and economic forces are compelling the linked industries of oil and autos to change as never before. Drawing on years of industry research-including dozens of interviews with motor and energy executives, top policymakers, and latter-day Fords and Edisons-Carson and Vaitheeswaran explain: -How Toyota became the world's largest automaker through innovation and superior performance. -Why American politicians have, for decades failed to address our energy issues and global warming-and how grassroots movements, along with individual entrepreneurs, innovators, and outsiders, are making real reform possible. -How these Green revolutionaries are creating new products powered by hydrogen, electricity, bio-fuels, and digital technology. As political leaders debate our energy, environmental and economic future, Zoom offers a lucid and visionary portrait of what that future could be. Anyone planning to vote will find compelling truth in its assertions and conclusions.

The ultimate users' guide to curating your Zoom background from Room Raters, Twitter's foremost experts in on-screen décor. From the virtual office aficionados and Twitter superstars who brought the world the dreaded embarrassment of “cord violations,” comes a fun, informative guide for everyone who now finds themselves having to endure the endless onslaught of digital meetings and calls. Packed with beautiful how-to illustrations that demonstrate visually stunning set-ups and tips from celebrity zoom rooms, Room Rater packs an amusing punch while offering advice on how to up your game and not be embarrassed by your surroundings. Included in the book are examples from TV host Jonathan Capehart, former Obama advisor Valerie Jarrett, Senator Mazie Hirono, historian Michael Beschloss who takes readers on a tour of historic presidential rooms, and many more. Chockfull of practical advice that speaks directly to the home office user, the book offers guidance on how to create good lighting, use the perfect camera angle, get rid of clutter, add aesthetically pleasing touches, and avoid appearing as if you are in a hostage video. Whether we like it or not, the remote workplace is here to stay and this book serves as an essential guide to navigating that new normal. It’s a valuable tool for everyone who wants to appear professional, competent, and composed.

Zoom Deutsch will captivate your 11-14 year old students, whatever the starting point! The course is fully flexible providing clear routes for students following both two-year and three-year courses at KS3 and catering for the full ability range.

Zoom Deutsch will captivate your 11-14 year old students, whatever the starting point! The course is fully flexible providing clear routes for students following both two-year and three-year courses at KS3 and catering for the full ability range.

In the final year of the Second World War, as bitter defensive fighting moved to German soil, a wave of intra-ethnic violence engulfed the country. Bastiaan Willems offers the first study into the impact and behaviour of the Wehrmacht on its own territory, focusing on the German units fighting in East Prussia and its capital Königsberg. He shows that the Wehrmacht's retreat into Germany, after three years of brutal fighting on the Eastern Front, contributed significantly to the spike of violence which occurred throughout the country immediately prior to defeat. Soldiers arriving with an ingrained barbarised mindset, developed on the Eastern Front, shaped the immediate environment of the area of operations, and of Nazi Germany as a whole. Willems establishes how the norms of the Wehrmacht as a retreating army impacted behavioural patterns on the home front, arguing that its presence increased the propensity to carry out violence in Germany.