A reflective, eclectic mixture of poetry and prose.

The poems embody ideas about writing and formal inventions, demonstrating how one invention leads to the next. -- Jacket flap.

Chŏng Yagyong (1762-1836), or simply Tasan, is a prolific poet and one of the most brilliant minds in Korean history but remains unknown as a person.This book introduces his life through his own auto-biographical poems translated into English for the first time. Here we find him struggling between love of learning and exam hell, between aristocratic pride and economic hardship, between Catholic sympathies and Confucian heritage, and finally between two women. Astonishingly open about himself for his time and class, this vivid portrait of his is a triumph of self-expression the likes of which we have not seen in premodern Korean literature.

This unique collection brings us African Americans reading the Black diasporahrough the eyes of exiled Tibetan monks; Americans of Vietnamese and Tibetaneritage wrestling with the cultural norms of their parents or ancestors; Zennd Dada inspired performance pieces; and groundbreaking writings from theioneers of the Beat movement, so many of whom remain not just relevant butital to this day. With its eclectic mix of acknowledged elders and newlymergent voices, this landmark anthology vividly displays how Buddhism isnfluencing the character of contemporary poetry.

'I thought that no man liveth and dieth to himself, so I put behind what I thought and what I did the panorama of the world I lived in - the things that made me.' Sean O'Casey, 1948 Sean O'Casey's six-part Autobiography, originally published between 1939 and 1955, is an eloquently comprehensive self-portrait of an artist's life and times, unsurpassed in literature. Drums Under the Windows (1945) sees O'Casey's young (pre-writing) life taking shape amid the extraordinary tumult of Ireland in the early twentieth century, thus leading him into the fray of the Easter Rising of 1916. Inishfallen, Fare Thee Well (1949) charts the steps towards his emigration from Ireland in 1926: a move pressed upon O'Casey by his hard struggle against the restrictions and prohibitions wrought by Irish society, church and state. Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

This book is a guide to identifying female creators and artistic movements from all parts of Asia, offering a broad spectrum of media and presentation representing a wide variety of milieus, regions, peoples and genres. Arranged chronologically by artist birth date, entries date as far back as Leizu's Chinese sericulture in 2700 BCE and continue all the way to the March 2021 mural exhibition by Malaysian painter Caryn Koh. Entries feature biographical information, cultural context and a survey of notable works. Covering creators known for prophecy, dance, epic and oratory, the compendium includes obscure artists and more familiar names, like biblical war poet Deborah, Judaean dancer Salome, Byzantine Empress Theodora and Myanmar freedom fighter Aung San Suu Kyi. In an effort to relieve unfamiliarity with parts of the world poorly represented in art history, this book focuses on Asian women often passed over in global art surveys.

Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Volume 43 is Part Two of a dictionary of authors-from Hans Vilhelm Kaalund to Ulrich Zwingli-that serves as a handy, condensed reference to the authors quoted in the first 40 volumes, as well as a guide to thousands more authors whose works are notable but not featured in this set.