A supernatural tale of reincarnation, seduction, and revenge. Ziska is a reincarnation of an ancient Egyptian woman who was killed by her lover when he grew tired of her. The mysterious woman seduces a troupe of aristocratic English tourists. One of them, a famous painter, develops an unbearable attraction to the lady, an obsession that might be the reason for his ruin.

Moneta’s Veil: Essays in Nineteenth Century Literature seeks to uncover relatively unexplored aspects of nineteenth-century literature and culture, important not as hidden curiosities, but as issues that are relevant, challenging and significant to our understanding of the nineteenth century. A fascinating and well-researched contribution to the continuing process of rediscovering the nineteenth century, this volume will be valuable to scholars and students of English literature, and feminist and social history.

In recent years, there has been an increased emphasis placed on the role of creativity and innovation in critical areas such as thinking and problem-solving, self-management, stress tolerance and flexibility, education, sustainability, and the new normal caused by COVID-19. Though creativity is a crucial cognitive skill and innovation is a requirement to meet the challenges of today and tomorrow, these concepts must be thoroughly examined and considered as they are often misunderstood and underestimated. Achieving Sustainability Using Creativity, Innovation, and Education: A Multidisciplinary Approach discusses important issues surrounding human creativity and innovation as well as how education can develop cognitive abilities and skills and be improved to meet future challenges and demands using creativity and innovation. Covering topics such as creative leadership and problem-solving skills, it is ideal for practitioners, academicians, managers, policymakers, consultants, development specialists, researchers, instructors, and students.

The captivating story of the first global cosmetics empire, the fascinating woman who built it, and the past she preferred to leave behind ‘Because of Trumble's surgical precision, his empathy and self-awareness, his humour, his grace, his exquisite visual sense ... in his hands the facts of Rubinstein's life take on new and startling significance.‘ —Sarah Krasnostein Helena Rubinstein (1872–1965) is best known for creating the world's first global cosmetics empire. At its height, her name was synonymous with glamour, with salons in Paris, London and New York, and beauty products sold at cosmetics counters around the world. Much less well known are the years Rubinstein spent in Australia before she was famous. Recently arrived from Poland, aged twenty-three and speaking little English, she worked as a governess and waitress before opening her first salon in Melbourne in 1902. In this captivating and wryly entertaining portrait, Angus Trumble retraces Rubinstein's forgotten Australian years. Later, Rubinstein worked hard to suppress key details of her early life, but they reveal the origins of her extraordinary rise. In the laneways of Melbourne and the dusty streets of Coleraine, we see her laying the foundations of a global empire. This is the fascinating story of an enigmatic woman, the myth she carefully curated, and the past she preferred to leave behind. With a foreword by Sarah Krasnostein ‘Angus Trumble, scoured records to chart Rubinstein's progress to Sydney, New Zealand and on to a global empire ... Rubinstein's motto, “Beauty is power”, proved a shrewd prediction.’ —Robyn Douglass, The Herald Sun

This book explores ways in which Western literature has engaged with themes found within the field of science and religion, both historically and in the present day. It focuses on works of the imagination as important locations at which human arguments, hopes and fears may be played out. The chapters examine a variety of instances where scientific and religious ideas are engaged by novelists, poets and dramatists, casting new light upon those ideas and suggesting constructive ways in which science and religion may interact. The contributors cover a rich variety of authors, including Mary Shelley, Aldous Huxley, R. S. Thomas, Philip Pullman and Margaret Atwood. Together they form a fascinating set of reflections on some of the significant issues encountered within the discourse of science and religion, indicating ways in which the insights of creative artists can make a valuable and important contribution to that discourse.