Known as the gateway to the Finger Lakes, Horseheads is located in the center of Chemung County. Horseheads is the only town and village in the United States named in dedication to the service of the American military horse. In 1779, Gen. John Sullivan's army mercifully disposed of their worn-out horses on return from their war against the Six Nations of the Iroquois. The Iroquois arranged the bleached skulls along the crossroads, giving the area the name "Valley of the Horses' Heads." First with the Chemung Canal, then the earliest railroads, Horseheads became a hub for early industry. Horseheads shares photographs of a community that was nationally known for its high-quality bricks, produce, and lumber. What were once fertile celery farmlands grew into an industrial center for prefab homes that built the housing developments of Horseheads. Today, Horseheads has entered a period of growth due to the influx of the gas drilling industry.

This volume pieces together three partial autobiographies of Eugene Zimmerman (1862-1935) as well as his sketches, notes, letters, and articles to produce a coherent life story of one of America's leading one-panel cartoonists. Illustrated.

One of four volumes dealing with the world of comic art, this volume is a comprehensive, international bibliography dealing with animation, caricature, gag, illustrative, magazine, and political cartoons in the United States and Canada. Reflecting the substantial growth of comic art literature in recent years, it is representative of various types of publications, writing formats and styles, and languages from all over the world. The four volumes attempt for the first time to pull together the massive amount of comic art literature worldwide. Organized with meticulous detail, the work consists of numerous resources, including an annotated directory of 66 comic art-related periodicals; a section of comic art functions, activities, and relationships with various socio-cultural phenomena, such as education, eroticism, ethnicity, race, social consciousness, and violence; as well as historical and contemporary parts on animation, caricature, gag cartoons, and political cartoons. At least 224 animators, caricaturists, and cartoonists are singled out for special prominence. Business, legal, and technical aspects of each genre make up other categories. The book is enhanced by Maurice Horn's foreword, retracing the pioneer work he and others did in the field of comic art studies. To further help the user, the indices are systematically broken down by authors, cartoonists, characters and titles, periodicals, and subjects.