This exhibition is the first ever retrospective of the artists works.

A Brief History of Qi takes the reader through the mysterious terrain of Chinese Medicine, Chinese language, Chinese martial arts and Qi Gong - a truly evocative guide to virtually all the traditional Chinese arts and sciences. This book is devoted to a topic represented by a single Chinese character, Qi. When presented with the concept of Qi, students of Chinese culture, Chinese medicine, Chinese martial arts and a wide range of Chinese traditional arts and sciences face one of the most perplexing challenges of their tenure. The book begins with an examination of Qi's linguistic and literary roots, stretching back through the shadowy mists of Chinese pre-civilisation. The authors then trace the development of the concept of Qi through a number of related traditional Chinese disciplines including painting, poetry, medicine and martial arts. The book concludes with an examination of the depth and breadth of Qi as manifested in life's cycles.

Catalog of an exhibition of new work by Chinese artist Zhang Huan, titled "49 Days," held at Blum & Poe Gallery, Los Angeles, May 21-July 9, 2011.

"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --

Ba Gua Zhang is one of the internal martial art styles of China, also known as Ba Gua Lian Huan Zhang. This martial art was created by Dong Hai-chuan in Beijing during the 19th century. Ba Gua Zhang is widely known for its 'circle walking' and circular movements to generate internal power.

(The authors) have performed a great service by clearing a path into the formidable dense thicket that constitutes Chinese medicine in the West. This text provides... a window of inestimable value into a world of meaning that satisfies a yearning on the part of many who hunger to know the substrate from which Chinese Medicine emerges. Harriet Beinfield Author, Between Heaven and Earth, A Guide to Chinese Medicine An excellent book for those studying Traditional Chines Medicine (TCM), this new text provides an insight into the depth and subtlety of this interesting subject. It delves into the linguistic and cultural wellsprings of Chinas venerable past, describing all aspects of TCM and making it applicable to Western approaches. It teaches the reader about the characteristics, expressions and concepts of TCM, allowing them to integrate its theories and practice into their own personal approach.

In Minor China Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures.