In her Four Essays on World War II, Olena Stiazhkina inscribes the Ukrainian history of World War II into a wider European and world context. Among other aspects, she analyzes the mobilization measures on the eve of the war, and reconsiders Soviet narratives on them. Scrutinizing social and political processes initiated by the Bolshevik leadership in the 1920s and 1930s, she outlines how mobilization and militarization became integral parts of Soviet politics. Today, the Kremlin uses Soviet and post-Soviet Russian narratives of World War II to justify its aggressive policies towards a number of democratic countries. Russia is engaged in falsification of the past to underpin claims of a so-called “Russian World” and its ongoing war against Ukraine. Against this background, Stiazhkina offers a new understanding of what happened in Ukraine before, during, and after World War II.

Everyday Religiosity and the Politics of Belonging in Ukraine reveals how and why religion has become a pivotal political force in a society struggling to overcome the legacy of its entangled past with Russia and chart a new future. If Ukraine is "ground zero" in the tensions between Russia and the West, religion is an arena where the consequences of conflicts between Russia and Ukraine keenly play out. Vibrant forms of everyday religiosity pave the way for religion to be weaponized and securitized to advance political agendas in Ukraine and beyond. These practices, Catherine Wanner argues, enable religiosity to be increasingly present in public spaces, public institutions, and wartime politics in a pluralist society that claims to be secular. Based on ethnographic data and interviews conducted since before the Revolution of Dignity and the outbreak of armed combat in 2014, Wanner investigates the conditions that catapulted religiosity, religious institutions, and religious leaders to the forefront of politics and geopolitics.

The book is a first person account of a soldier’s journey, and is based on Artem Chekh’s diary that he wrote while and after his service in the war in Donbas. One of the most important messages the book conveys is that war means pain. Chekh is not showing the reader any heroic combat, focusing instead on the quiet, mundane, and harsh soldier’s life. Chekh masterfully selects the most poignant details of this kind of life.

In early 2014, sparked by an assault by their government on peaceful students, Ukrainians rose up against a deeply corrupt, Moscow-backed regime. Initially demonstrating under the banner of EU integration, the Maidan protesters proclaimed their right to a dignified existence; they learned to organize, to act collectively, to become a civil society. Most prominently, they established a new Ukrainian identity: territorial, inclusive, and present-focused with powerful mobilizing symbols. Driven by an urban “bourgeoisie” that rejected the hierarchies of industrial society in favor of a post-modern heterarchy, a previously passive post-Soviet country experienced a profound social revolution that generated new senses: “Dignity” and “fairness” became rallying cries for millions. Europe as the symbolic target of political aspiration gradually faded, but the impact (including on Europe) of Ukraine’s revolution remained. When Russia invaded—illegally annexing Crimea and then feeding continuous military conflict in the Donbas—, Ukrainians responded with a massive volunteer effort and touching patriotism. In the process, they transformed their country, the region, and indeed the world. This book provides a chronicle of Ukraine’s Maidan and Russia’s ongoing war, and puts forth an analysis of the Revolution of Dignity from the perspective of a participant observer.

Disorder erupted in Ukraine in 2014, involving the overthrow of a sitting government, the Russian annexation of the Crimean peninsula, and a violent insurrection, supported by Moscow, in the east of the country. This Adelphi book argues that the crisis has yielded a ruinous outcome, in which all the parties are worse off and international security has deteriorated. This negative-sum scenario resulted from years of zero-sum behaviour on the part of Russia and the West in post-Soviet Eurasia, which the authors rigorously analyse. The rivalry was manageable in the early period after the Cold War, only to become entrenched and bitter a decade later. The upshot has been systematic losses for Russia, the West and the countries caught in between. All the governments involved must recognise that long-standing policies aimed at achieving one-sided advantage have reached a dead end, Charap and Colton argue, and commit to finding mutually acceptable alternatives through patient negotiation.

Love in Defiance of Pain: Ukrainian Stories aims to bring the riches of contemporary Ukrainian literature—and of contemporary Ukraine, too—to the world. While Ukraine is under sustained attack, many in the West have marveled at the nation’s strength in the face of a barbaric invasion. Who are these people, what is this nation, which has captivated the world with their courage? By showcasing some of the finest Ukrainian writers working today, this book aims to help answer that question. There are war stories, but there are also love stories. Stories of aging romantics in modern Ukraine, and of modern Ukrainians in Vienna and Brooklyn, a fantastical tale set on a mysterious island where people never die, a wild lovers’ romp through modern-day Ukraine, a sobering account of an American war photographer, and a post-modern tale of a botanist in love. Some of these stories have been published before—indeed, many are award-winning and acclaimed—while some are appearing for the first time, making their rightful debut on the world stage. The range of voices, settings, and subjects in this vivid and varied collection show us how to “love in defiance of pain”—an apt phrase taken from the very first story in this book. Readers will be delighted and moved, and will gain insight into the proud history and contemporary life of Ukraine. Authors include: Sophia Andrukhovych, Yuri Andrukhovych, Stanislav Aseyev, Kateryna Babkina, Artem Chapeye, Liubko Deresh, Kateryna Kalytko, Oksana Lutsyshyna, Vasyl Makhno, Tanja Maljartschuk, Taras Prokhasko, Oleg Sentsov, Natalka Sniadanko, Olena Stiazhkina, Sashko Ushkalov, Oksana Zabuzhko, and Serhiy Zhadan Proceeds from the sale of this collection will be donated to humanitarian efforts in Ukraine.