This is a collection of huang Fan's work in English. The anthology includes 'Zero', a futuristic novella that won the Unitas Prize, and three critically acclaimed short stories.

At a moment of cultural and political crisis, with forces of reaction seemingly ascendant throughout the West, it's fair to ask what use does anyone have for America, God, or any other similar fictions? What use does theological language have for the radical facing the apocalypse? Among the subjects considered: the need for an Augustinian left, legacies of American violence, speaking in tongues, the humanities facing climate change, the maturity of realizing that you will die, how to sail towards Utopia, and witches.

Futures and Fictions is a book of essays and conversations that explore possibilities for a different ‘political imaginary’ or, more simply, the imagining and imaging of alternate narratives and image-worlds that might be pitched against the impasses of our neoliberal present. In particular, the book contributes to prescient discussions around decolonization, post-capitalism and new kinds of social movements – exploring the intersections of these with contemporary art practice and visual culture. Contributions range from work on science, sonic and financial fictions and alternative space-time plots to myths and images generated by marginalized and ‘minor’ communities, queer-feminist strategies of fictioning, and the production of new Afro- and other futurisms. Contributors to thsi volume include Ursula K. Le Guin, Theo Reeves-Evisson, Bridget Crone, Kodwo Eshun, Louis Moreno, Laboria Cuboniks, Luciana Parisi, Stefan Helmreich, Mark Fisher, Judy Thorne, Annett Busch, Harold Offeh, Robin Mackay, Elvira Dyangani Ose, Kemang Wa Lehulere, and Oreet Ashery.

Shortlisted for Neukom Literary Arts Award for Speculative Fiction, from Philip K. Dick Award-nominated author M.T. Hill, Zero Bomb is a startling science fiction mystery that asks: what do we do when technology replaces our need to work? The near future. Following the death of his daughter Martha, Remi flees the north of England for London. Here he tries to rebuild his life as a cycle courier, delivering subversive documents under the nose of an all-seeing state. But when a driverless car attempts to run him over, Remi soon discovers that his old life will not let him move on so easily. Someone is leaving coded messages for Remi across the city, and they seem to suggest that Martha is not dead at all. Unsure what to believe, and increasingly unable to trust his memory, Remi is slowly drawn into the web of a dangerous radical whose '70s sci-fi novel is now a manifesto for direct action against automation, technology, and England itself. The deal? Remi can see Martha again - if he joins the cause.

Heralded as a literary masterpiece and a best-seller in the Chinese-speaking world, The Great Flowing River is a personal account of the history of modern China and Taiwan unlike any other. In this eloquent autobiography, the noted scholar, writer, and teacher Chi Pang-yuan recounts her youth in mainland China and adulthood in Taiwan. Chi’s remarkable life, told in rich and striking detail, humanizes the eventful and turbulent times in which she lived. The Great Flowing River begins as a coming-of-age story set against the backdrop of China’s war with Japan. Chi depicts her childhood in pre-occupation Manchuria and gives an eyewitness account of life in China during the war with Japan. She tells the tale of her youthful romance with a dashing pilot that ends tragically when he is shot down in the last days of the war. The book describes the deepening political divide in China and her choice to take a job in Taiwan, where she would remain after the Communist victory. Chi details her growth as an educator, scholar, and promoter of Chinese literature in translation and her realization that despite her roots in China, she has found a home in Taiwan, giving an immersive account of the postwar history of Taiwan from a mainlander’s perspective. A novelistic, epoch-defining narrative, The Great Flowing River unites the personal and intimate with the grand sweep of history.

Inner-city teenager Kevin Phifer is grounded and battles with girls, bullies, so-called friends, his gay uncle, and wack haircuts.

Though he lived most of his life in rural South Taiwan, Zhong Lihe spent several years in Manchuria and Peking, moving among an eclectic mix of ethnicities, social classes, and cultures. His fictional portraits unfold on Japanese battlefields and in Peking slums, as well as in the remote, impoverished hill-country villages and farms of his native Hakka districts. His scenic descriptions are deft and atmospheric, and his psychological explorations are acute. The first anthology to present his work in English, this volume features two novellas, ten short stories, and four short prose works.