This book recounts the work it takes to become a hospital chaplain, showing how intensely personal and physical that experience can become. The author started his chaplain training with the arrogance of a medical school faculty member and the certainty of a Zen priest and teacher. And he started with a drive to reform a system of care that hadn't served his wife and himself when their youngest son received a diagnosis of cerebral palsy years earlier. But he hadn't counted on the humbling that work with patients, some of them with sorrows beyond measure, can bring. Once his arrogance and certainty had been shaken, he found unexpected forms of caring for patients and staff, and for himself. Suffering, like loneliness or love, is a core human experience. The key question for any of us is, "How will I survive this?" But an equally tough question for those whose work is to alleviate suffering is "How will I face this? Not just this particular person with this particular pain but the relentless flow of suffering that comes in the door day after day, year after year?" Unfortunately, there is very little literature that describes how one learns to face suffering. There are books that talk about the nature of suffering from a religious point of view. There are books that talk about the psychological needs for health care professionals to be "protected" from the suffering and trauma they face during their work. There are books that talk about a Buddhist perspective on alleviating suffering. There are also numerous books that talk about the role of "mindfulness" in working with patients, but none of these books do what this book does: showing how the author was shaped to do the work they do. The underlying premise of this book is that if you yourself haven't learned to face suffering, then your ability to help others face suffering is limited. The author has trained in Zen Buddhism for over forty years, most recently serving as the head priest for the rural training facility of Chosei Zen in rural Wisconsin. Before moving to Wisconsin, he was a faculty member for fifteen years in the School of Medicine at the University of Hawaii, working to teach medical students and residents how to best form a therapeutic relationship with patients. Now he has a role as clinical professor of Family Medicine at the University of Wisconsin in Madison.

One Zentangle A Day is a beautiful interactive book teaching the principles of Zentangles as well as offering fun, related drawing exercises. Zentangles are a new trend in the drawing and paper arts world. The concept was started by Rick Roberts and Maria Thomas as a way to practice focus and meditation through drawing, by using repetitive lines, marks, circles, and shapes. Each mark is called a "tangle," and you combine various tangles into patterns to create "tiles" or small square drawings. This step-by-step book is divided into 6 chapters, each with 7 daily exercises. Each exercise includes new tangles to draw in sketchbooks, teaches daily tile design, and offers tips on related art principles, and contains an inspirational "ZIA" (Zentangle Inspired Art) project on a tile that incorporates patterns, art principals, and new techniques.

Koans, such as What is the sound of one hand clapping and Does a dog have Buddha-nature? are concise, confusing and often contradictory sayings expressed by ancient masters that serve as the centerpiece of Zen Buddhist learning and training on several levels. First, Koans form the central component of a remarkable body of literature contained in voluminous collections produced in the twelfth and thirteenth centuries. These works include various styles of elegant poetic and eloquent prose commentaries on cryptic dialogues. The Koan compilations were greatly influenced by one of the high points in the distinguished history of the literary tradition in East Asia. The texts appealed to intellectuals in China, Japan and Korea, who sought spiritual fulfillment through interpreting elaborate rhetoric related to mysterious metaphysical exchanges.

A revelatory short memoir from the author and Zen Buddhist priest Ruth Ozeki about how her face has shaped and been shaped by her life

Following the critically acclaimed Zen at War (1997), Brian Victoria explores the intimate relationship between Japanese institutional Buddhism and militarism during the Second World War. Victoria reveals for the first time, through examination of the wartime writings of the Japanese military itself, that the Zen school's view of life and death was deliberately incorporated into the military's programme of 'spiritual education' in order to develop a fanatical military spirit in both soldiers and civilians. Furthermore, that D. T. Suzuki, the most famous exponent of Zen in the West, is shown to have been a wartime proponent of this Zen-inspired viewpoint which enabled Japanese soldiers to leave for the battlefield already resigned to death. Victoria takes us onto the naval battlefield in the company of warrior-monk and Rinzai Zen Master Nakajima Genjô. We view the war in China through the eyes of a Buddhist military chaplain. The book also examines the relationship to Buddhism of Japan's seven Class-A war criminals who were hung by the Tokyo War Crimes Tribunal in 1948. A highly controversial study, this book will be of interest, first and foremost, to students of Zen as well as all those studying the history of this period, not to mention anyone concerned with the perennial question of the 'proper' relationship between religion and the state.