THE STRATEGIES OF THE MARTIAL ARTS SERVICING YOUR LIFE Through this handbook, the State Professor and Teacher of Martial Arts Maurizio Maltese gives good advices to avoid our existences get affected by the conflicts of life. "As human history teaches, the person who victoriously rises from the crisis is neither the strongest nor the cleverest, but the person able to adapt, the person resorting to strategy, intelligence, freedom from any conditioning. It’s a person at any moment ready to modify the programmes for a prompt adapting to the new situation: the person who is able to redraw new goals and new paths." (M.Maltese)

A fascinating introduction to Zen principles and learning.

Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar “Zen boom.” Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism. Long Strange Journey’s modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over “timeless” visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art’s design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by “discourse analysis,” moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenth–early twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our “Zenny zeitgeist,” such as Zen cartoons. The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen’s value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of “Zen influence,” and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others.

A compelling history of the contradictory, often militaristic, role of Zen Buddhism, this book meticulously documents the close and previously unknown support of a supposedly peaceful religion for Japanese militarism throughout World War II. Drawing on the writings and speeches of leading Zen masters and scholars, Brian Victoria shows that Zen served as a powerful foundation for the fanatical and suicidal spirit displayed by the imperial Japanese military. At the same time, the author recounts the dramatic and tragic stories of the handful of Buddhist organizations and individuals that dared to oppose Japan's march to war. He follows this history up through recent apologies by several Zen sects for their support of the war and the way support for militarism was transformed into 'corporate Zen' in postwar Japan. The second edition includes a substantive new chapter on the roots of Zen militarism and an epilogue that explores the potentially volatile mix of religion and war. With the increasing interest in Buddhism in the West, this book is as timely as it is certain to be controversial.

For other editions see Author Catalog.

The practice of Sōtō Zen is a practice of encounter and realization, an intimate path in which the self and its relationship to all beings are transformed. This poses challenges to anyone who takes it up, challenges that call us to understand the elements that make possible a deep engagement with the practice. Of these elements, trust is central--a well-founded trust in the teachings, in one's capacity to realize them with others, and ultimately in dynamic reality itself. Dōgen states that "To study the Buddha Way is to study the self. To study the self is to forget the self. To forget the self is to be authenticated by the myriad things." Studying and forgetting the self is not leaping over the self--it is full engagement with all aspects of our being, bravely looking at how we ourselves, others, and the world interact, and supporting what makes realization possible.

The Inner Heart of Reiki is the first Reiki book to look at the inner heart of the spiritual teachings of the system of Reiki. It will take practitioners and teachers to a whole new level of understanding about their practice and about the way they teach.