The 1960s and 70s were a time when mainstream culture was turned on its head. Everything from fashion and music to politics and religion was questioned or reinvented while technological advances allowed people around the world to witness these incredible changes. Drawn from the Nicola Erni Collection, the spectacular images in this volume represent the iconic people, places, and events of the era, and were created by the most celebrated photographers of their time as well as press photographers. Iconic figures such as Jackie Kennedy, Mick Jagger, Maria Callas, and Truman Capote; happening locales such as Warhol's Factory, Studio 54, and London's nightclubs; the jet-setting scenes of Saint-Tropez, St. Moritz, Paris, and Rome--it's all here as viewed through the lense of Diane Arbus, Richard Avedon, Francesco Scavullo, Robert Mapplethorpe, Lord Snowdon, Andy Warhol, and others. A fascinating introductory essay explores the era's cultural scene and examines the art of celebrity photography. Pulsing with life and creativity, this treasure trove of photographs preserves for posterity an unforgettable time. AUTHOR: Nicola Erni is an entrepreneur and a passionate collector of contemporary art. Petra Giloy-Hirtz is a curator, author and editor and co-curator of the Nicola Erni Collection. Ira Stehmann is a photography consultant and co-curator of the Nicola Erni Collection. ILLUSTRATIONS: 400 illustrations

Glamour is one of the most tantalizing and bewitching aspects of contemporary culture - but also one of the most elusive. The aura of celebrity, the style of the fashion world, the vanity of the rich and beautiful, and the publicity-driven rites of café society are all imbued with its irresistible magnetism. But what exactly is glamour? Where does it come from? How old is it? And can anyone quite capture its magic? Stephen Gundle answers all these questions and more in this first ever history of the phenomenon, from Paris in the tumultuous final decades of the eighteenth century through to Hollywood, New York, and Monte Carlo in the twentieth and twenty-first centuries, from Napoleon to Marlene Dietrich and Marilyn Monroe, from Beau Brummell to Gianni Versace. Throughout, the book captures the excitement and sex appeal of glamour while exposing its mechanisms and exploring its sleazy and sometimes tragic underside. As Gundle shows, while glamour is exciting and magnetic, its promise is ultimately an illusion that can only ever be partially fulfilled.

Young, hot, and royal. More than ever before, nightclubs and ski slopes are teeming with a new generation of hip young royals - many of them single and looking for love. Packed with full-color photographs and page after page of gorgeous profiles, Bright Young Royals is your glamorous must-have guide to the smartest, best-looking crowd the world's monarchies have ever produced. Find out where they work, where they play and if you have what it takes to win their royal hearts. Read on to discover who's who of the young and titled-and see for yourself why these bluebloods are so red-hot.

The longing for redemption is a many-headed daimon that dwells within the most earthbound and prosaic of souls. Neptune is the astrological symbol that describes this energy. Liz Greene, an internationally known astrologer, has given us the most complete and accessible book about Neptune ever written! She explores Neptune themes in literature, myth, politics, religion, fashion, and art to show how this energy manifests.

Charles St. Anthony heard plenty of ‘Wizard of Oz’ jokes growing up in Kansas. After finding himself on some seedy dance floors in Kansas City, his quest for love and glamor — and his penchant for all things Japanese — carried Charles from Dorothy’s homeland to New York to Tokyo. Impossibly Glamorous follows his exploits with Goth raver lesbians, hot men, and not-so-hot men, culminating in a long-term love affair with Japan. His journey from ugly baby to Asian media personality touches on tough issues such as coming out gay in Kansas, domestic violence, substance abuse, and how to to bounce back from any kind of adversity with only a faux fur coat and a cavalier skip.

Until recently, glam rock has been a mere footnote in popular music history: a style-over-substance lark in an otherwise serious industry. Glam Rock: Music in Sound and Vision reveals the true story of how glam carved out a place as a diverse musical style and how it related to the artistic, political, economic, emotional, sexual, and commercial scenes of the late twentieth century. Committed to spectacle but also to musical ingenuity, glam delivered an exhilarating burst of color that offered a joyful reboot for pop culture—“a total blam blam!” Glam swept through Britain to North America in the early 1970s with the foundational stardom of T Rex and David Bowie, offering an alternative to the established rock and pop styles that had started to bore a segment of young listeners. As Alice Cooper and KISS filled concert arenas, British acts as diverse as the Rolling Stones, Elton John, and Queen consciously adopted glam’s flair for drama. Refreshing and reinvigorating, glam influenced later musical movements and moments from glitterfunk to punk, from new wave to new romanticism, and from hair metal to the synth-pop of self-conscious changelings like Marilyn Manson and Lady Gaga. In Simon Philo’s engaging history, glam finally gets the spotlight it deserves. As an essential force in the history of popular music, glam offers a prism through which to explore ’70s pop culture in all its glitter and charm.

Drawing on cinema and media studies, art history, American studies, and postcolonial studies, this innovative book offers a fresh way of thinking about Hollywood film aesthetics. It explores how eighteenth- and nineteenth-century Western colonial formations of vision influenced classical Hollywood film style, and thus provides a new and unique perspective on the origins of the cinematic gaze. Classical Hollywood cinema constructs global spaces as an imaginative dreamworld, subsuming geographical and cultural differences into utopian fantasy. Yet, this characteristically Hollywoodian aesthetic has rarely been explored in detail. How are such representations constructed within film texts? Is this utopian aesthetic really as uniform and transparent as it appears? What is its relationship to the United States' status as an imperial power? In The American Abroad, Anna Cooper explores how postwar Hollywood cinema adopted elements of British and French imperial visual culture, transforming them to suit a new United Statesian context. Cooper argues that four visual discourses in particular-the sublime, the ethnographic, the picturesque, and glamour-became building blocks in the development of a new American visual language.