Library Journal: Best World Literature of the Year A fable, parable, and confession, the second novel from the acclaimed author of The Meursault Investigation pays homage to the essential need for fiction and to the freedom from tradition afforded by an adopted language. Having lost his mother and been shunned by his father, Zabor grows up in the company of books, which teach him a new language. Ever since he can remember, he has been convinced that he has a gift: if he writes, he will stave off death; those captured in the sentences of his notebooks will live longer. Like a kind of inverted Scheherazade saving his fellow men, he experiments night after night with the delirious power of the imagination. Then, one night, his estranged half brother and the other relatives who would disown him come knocking at the door: his father is going to die and perhaps only Zabor is capable of delaying that fateful moment. Sitting next to the father who has ostracized him, the son writes compulsively, retracing an existence characterized by strangeness, abandonment, and humiliation, but also by wondrous encounters with fictional worlds that he alone in the entire village can access.

What is center and periphery? How can centers and peripheries be recognized by their ontological and axiological features? How does the axiological saturation of a literary field condition aesthetics? How did these factors transform center-periphery relationships to the former metropolises of Romance literatures of the Americas and Africa? What are the consequences of various deperipheralization contexts and processes for poetics? Using theoretical sections and case studies, this book surveys and investigates the limits of globalization. Through explorations of the intercultural dynamics, the aesthetic contributions of former peripheries are examined in terms of the transformative nature of peripheries on centralities.

We discover a new species of life form every day. But, every day, a species also disappears. The fly has 10 chromosomes, the hamster 22, the rat 42, the human 46, the chimpanzee 48, the cow 60, and the butterfly 380. London, 1881. There's something a little eerie about Manon – she's not like the other girls at the orphanage. Maybe it's her red eyes. Maybe it's her silence. Maybe it's the series of violent deaths that seem to follow her. What we do know: someone is hot on her tail. And there's a lot of money at stake in finding out where exactly she comes from – and what exactly she is. Concurrent to Manon's story are letters to Charles Darwin from Professor Humphrey, a scientist who has recently died under mysterious circumstances. Is it true that natural selection left humans at the top of the pyramid of life after all? Or in the process of evolution, was there something elemental that humans lost, something that connected us to the rest of life on earth? Who and what else is out there? In order to stay alive, Manon must untangle the mystery of her origins, and perhaps the origins of humanity as well. From French writer Alice Brière-Haquet and translated by PEN-award winning translator Emma Ramadan comes PHALAINA – the middle grade historical sci fi thriller you won't be able to put down.

This volume of the acclaimed literary journal explores the hope and pain of an ever-changing present with new work by Lauren Groff, Ocean Vuong, and more. The Covid-19 pandemic forced many of us to reimagine our homes, work, and relationships. And yet, in this period of intense isolation, we faced dilemmas which are nearly universal. How to love, to care for aging parents, to fight for justice. This vast range of experiences is captured by our greatest storytellers, essayists, and poets, in this issue of Freeman’s: Change. In Joshua Bennett’s essay, a Coltrane playlist sets the stage for early morning dances with his newborn son as they watch the sun come up. In Lina Mounzer’s “The Gamble,” a father’s incessant hope for a better life festers and sinks the whole family after they leave Lebanon during the Civil War. In Kamel Daoud’s heartbreaking tale, a widow’s attempt to retreat into the unchanging past edits her son right from her reality. And in “Final Days,” Sayaka Murata imagines a future without aging, where people must choose how and when they want to die. With new writing from Julia Alvarez, Sandra Cisneros, Zahia Rahmani, Yoko Ogawa, Yasmine El Rashidi, Lina Meruane, and Aleksandar Hemon, and featuring work from never-before-published writers like Elizabeth Ayre, Freeman’s: Change opens a window into the many-sided ways we adapt.

In this thoughtful coming-of-age memoir, a young sociologist reflects on her Moroccan immigrant parents, their journey to France, and how growing up an outsider shaped her identity. Imbued with tenderness for her family and a critical view of the challenges facing French North African immigrants, Kaoutar Harchi’s probing account illustrates the deeply personal effects of political issues. Mixed with happy memories of her childhood home in eastern France are ever-present reminders of the dangers from which her parents sought to shield her. When they transfer her to a private, Catholic middle school—out of fear of Arab boys from their working-class neighborhood—Kaoutar grows increasingly conscious of her differences, and her conflicted sense of self. Notable events in her teens—the passing of a law in 2004 banning religious symbols from public schools; the 2005 deaths of Bouna Traoré and Zyed Benna, which sparked riots against police brutality—underscore the injustice of a society that sees Muslims not as equals but as a problem to solve. With elegant, affecting prose, As We Exist charts Kaoutar’s political and intellectual awakening, which would become the heart and soul of her work as a sociologist and writer.