Reproduces more than 100 images of Paris taken by photographer Pierre Yves-Petit in the years between the two world wars and that depict the magic and romance most often associated with the City of Light.

A Frequency Dictionary of French is an invaluable tool for all learners of French, providing a list of the 5000 most frequently used words in the language. Based on a 23-million-word corpus of French which includes written and spoken material both from France and overseas, this dictionary provides the user with detailed information for each of the 5000 entries, including English equivalents, a sample sentence, its English translation, usage statistics, and an indication of register variation. Users can access the top 5000 words either through the main frequency listing or through an alphabetical index. Throughout the frequency listing there are thematically-organized lists of the top words from a variety of key topics such as sports, weather, clothing, and family terms. An engaging and highly useful resource, the Frequency Dictionary of French will enable students of all levels to get the most out of their study of French vocabulary. Former CD content is now available to access at www.routledge.com/9780415775311 as support material. Designed for use by corpus and computational linguists it provides the full text in a format that researchers can process and turn into suitable lists for their own research work. Deryle Lonsdale is Associate Professor in the Linguistics and English Language Department at Brigham Young University (Provo, Utah). Yvon Le Bras is Associate Professor of French and Department Chair of the French and Italian Department at Brigham Young University (Provo, Utah).

Photographer Dominique Nabokov has documented the living rooms of well-known Parisians--artists, writers, designers, intellectuals and the occasional celebrity. The rooms vary widely from one another in terms of formality and decor, but they are all equalized under the gaze of Nabokov's camera. Each room is shot simply as it happened to appear on that particular day, without any people. Using discontinued Polaroid Colorgraph type 691 film (which provides a full-color transparency in four minutes), Nabokov does not use special lighting or allow the rooms to be rearranged or touched by a stylist. The result is a series of fascinatingly deadpan photos that puts an ironic slant on the celebrity interior genre. These peeks into the living rooms of celebrated Parisians will provide hours of voyeuristic pleasure. The book includes more than seventy living rooms of such diverse Parisians as Jean-Paul Goude, Andree Putman, Christian Liaigre, Gerard Depardieu, Jeanne Moreau, Carine Roitfeld, Loulou de la Falaise and Jacques Grange, to name a few.

This book explains the EU’s climate policies in an accessible way, to demonstrate the step-by-step approach that has been used to develop these policies, and the ways in which they have been tested and further improved in the light of experience. The latest changes to the legislation are fully explained throughout. The chapters throughout this volume show that no single policy instrument can bring down greenhouse gas emissions. The challenge facing the EU, as for many countries that have made pledges under the Paris Agreement, is to put together a toolbox of policy instruments that is coherent, delivers emissions reductions, and is cost-effective. The book stands out by the fact it covers the EU’s emissions trading system, the energy sector and other economic sectors, including their development in the context of international climate policy. This accessible book will be of great relevance to students, scholars and policy makers alike. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9789276082569, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Made in his adopted home town, Paris is a continuation of Ola Rindal's fascination with the blind spots of the urban environment, the things that are always there but tend to escape our gaze. His is a not a subjectively imagined Paris. It is a Paris that exists in the real world, albeit at the edge of our field of vision. Vaguely familiar but not immediately recognizable, the side of Paris that come into view here is its non-places. We may encounter these blank or blind spots in any big city. Casually and fleetingly noticing their presence we seldom pay them very much attention. In Paris, Rindal turns his camera at these spots to get a grasp of what goes on there. What he captures is the daily struggle for survival waged by the city's poor and fallen - the human collateral chewed up and spat out by the big city machine. Paris is not a social realist depiction of street life, however. Like Eug�ne Atget, the legendary late 19th-century photographer of Paris, Rindal approaches his subject in a way that perhaps best is described as forensic. His gaze is naturally drawn to the things, buildings and people that suggest a different physiognomy of Paris than the one we have become accustomed to. Homing in on cracks and fissures in his surroundings his depiction hints at the presence of violent forces beneath the city's civilized surface.

Recent scholarly and popular attempts to define the Enlightenment, account for its diversity, and evaluate its historical significance suffer from a surprising lack of consensus at a time when the social and political challenges of today cry out for a more comprehensive and serviceable understanding of its importance. This book argues that regnant notions of the Enlightenment, the Radical Enlightenment, and the multitude of regional and religious enlightenments proposed by scholars all share an entangled intellectual genealogy rooted in a broader revolutionary "culture of enlightening" that took shape over the long-arc of intellectual history from the waning of the sixteenth-century Reformations to the dawn of the Atlantic Revolutionary era. Generated in competition for a changing readership and forged in dialog and conflict, dynamic and diverse notions of what it meant to be enlightened constituted a broader culture of enlightening from which the more familiar strains of the Enlightenment emerged, often ironically and accidentally, from originally religious impulses and theological questioning. By adapting, for the first time, methodological insights from the scholarship of historical entanglement (l'histoire croisée) to the study of the Enlightenment, this book provides a new interpretation of the European republic of letters from the late 1600s through the 1700s by focusing on the lived experience of the long-neglected Catholic theologian, historian, and contributor to Diderot's Encyclopédie, Abbé Claude Yvon. The ambivalent historical memory of Yvon, as well as the eclectic and global array of his sources and endeavors, Burson argues, can serve as a gauge for evaluating historical transformations in the surprisingly diverse ways in which eighteenth-century individuals spoke about enlightening human reason, religion, and society. Ultimately, Burson provocatively claims that even the most radical fruits of the Enlightenment can be understood as the unintended offspring of a revolution in theology and the cultural history of religious experience.

Dead Hemingway. Dead Baker. Dead Joyce and dead Fitzgerald. Dead Stein. Dead Picasso. Dead Barnes and dead Truffaut. Piaf dead and Breton dead. Gainsbourg dead and Monet dead. Bernhardt dead and Satie dead. Baldwin dead and Foucault dead too.The Parisian artists of our dreams have been dead a long time. It is now our chance to live in the moment. The romantic fantasy of mythic Paris is always close at hand, but what is it really like to be a resident artist today? Does hyper-connectivity help or hinder creativity? Are cities still necessary? Are artists? Will Mountain Cox, who has made a career out of identifying and championing young, fresh talent, and who himself arrived in Paris as a newcomer in search of inspiration, pursues the elusive answers in this searching collection of conversations with the most intriguing emergent minds of our urgent time. Interviews with twenty-two vibrant new voices, accompanied by extensive photographs, give a candid and insightful look at making it (or moving on) in Paris today, sparking essential social dialogue about new art, how we make it, for whom we make it, and above all, why now.Featuring: Romy Alizée - Luis Miguel Andrade - Oscar d'Artois - Bagarre - Yotam Ben-David - Bianca Bondi - Gaëlle Choisne - Amélie Derlon Cordina - Julien Creuzet - John Denison - Wendy Huynh - Merryn Jeann - Nina Leger - Léa Mysius - Adam Naas - Lucy K. Shaw - Billie Thomassin - Alcidia Vulbeau