YUME NO MONOGATARI means ‘story of dreams’ in Japanese. This book is the inspiring story of an entrepreneur’s dream; his journey from Ginza in Japan to Moore Market in Chennai… Zarook Shah believes that the most important aspect in life is to have a dream and passion. Dreams manifest into reality if we work towards it. In this book, the author chronicles his journey where many of his dreams have turned into reality. Embark on this galvanizing journey and experience Zarook’s story of dreams…

"Knowing Japan and the Japanese better," Louis Frédéric states in the introduction to this encyclopedia, "is one of the necessities of modern life." The Japanese have a profound knowledge of every aspect and detail of Western societies. Unfortunately, we in the West cannot say the same about our knowledge of Japan. We tend to see Japan through a veil of exoticism, as a land of ancient customs and exquisite arts; or we view it as a powerful contributor to the global economy, the source of cutting-edge electronics and innovative management techniques. To go beyond these clichés, we must begin to see how apparently contradictory aspects of modern Japanese culture spring from the country's evolution through more than two millennia of history. This richly detailed yet concise encyclopedia is a guide to the full range of Japanese history and civilization, from the dawn of its prehistory to today, providing clear and accessible information on society and institutions, commerce and industry, sciences, sports, and politics, with particular emphasis on religion, material culture, and the arts. The volume is enhanced by maps and illustrations, along with a detailed chronology of more than 2,000 years of Japanese history and a comprehensive bibliography. Cross-references and an index help the reader trace themes from one article to the next. Japan Encyclopedia will be an indispensable one-volume reference for students, scholars, travelers, journalists, and anyone who wishes to learn more about the past and present of this great world civilization.

Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In this, the first comprehensive study to explore this engagement, Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture. Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself.

Dreams, Myths and Fairy Tales in Japan addresses Japanese culture insightfully, exploring the depths of the psyche from both Eastern and Western perspectives, an endeavor the author is uniquely suited to undertake. The present volume is based upon five lectures originally delivered at the prestigious round-table Eranos Conferences in Ascona, Switzerland. Readers interested in Japanese myth and religion, comparative cultural studies, depth psychology or clinical psychology will all find Professor Kawai’s offerings to be remarkably insightful while at the same time practical for their own daily work. From the contents: –Interpenetration: Dreams in Medieval Japan –Bodies in the Dream Diary of Myôe –Japanese Mythology: Balancing the Gods –Japanese Fairy Tales: The Aesthetic Solution –Torikaebaya: A Tale of Changing Sexual Roles

Tokyo Life, New York Dreams is a bicultural study focusing on Japanese immigrants in New York and the ideas they had about what they would find there. It is one of the first works to consider Japanese immigration to the East Coast, where immigrants were of a different class and social background from the laborers who came to the West Coast and Hawaii. Beginning with a portrait of immigrants' lives in New York City, Mitziko Sawada returns to Tokyo to examine the pre-immigration experience in depth, using rich sources of popular Japanese literature to trace the origins of immigrant perceptions of the U.S. Along with discussions of economics and politics in Tokyo, Sawada explores the prevalent images, ideologies, social myths, and attitudes of late Meiji and Early Taisho Japan. Her lively narrative draws on guide books, magazines, success literature, and popular novels to illuminate the formation of ideas about work, class, gender relations, and freedom in American society. This study analyzes the Japanese construction of a mythic America, perceived as a homogeneous and exotic "other." This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

Explores the role of 1930s Japanese cinema in the construction of a national identity and in the larger context of Japan's encounter-and struggle-with the West and modernity. Davis lends a new perspective to such celebrated films as Gate of Hell, Kagemusha, and Ran.

Fujiwara Teika is known as the premier poet and literary scholar of the early 13th century. It is not so widely known that he also tried his hand at fiction: Mumyōzōshi (Untitled Leaves; ca. 1201) refers to “several works” by Teika and then names Matsura no miya monogatari (The Tale of Matsura; ca. 1190) as the only one that can be considered successful. The work is here translated in full, with annotation. Set in the pre-Nara period, The Tale of Matsura is the story of a young Japanese courtier, Ujitada, who is sent to China with an embassy and has a number of supernatural experiences while there. Affairs of the heart dominate The Tale of Matsura, as is standard for courtly tales. Several of its other features break the usual mold, however: its time and setting; the military episode that would seem to belong instead in a war tale; scenes depicting the sovereign’s daily audiences, in which formal court business is conducted; a substantial degree of specificity in referring to things Chinese; a heavy reliance on fantastic and supernatural elements; an obvious effort to avoid imitating The Tale of Genji as other late-Heian tales had done; and a most inventive ending. The discussion in the introduction briefly touches upon each of these features, and then focuses at some length on how characteristics associated with the poetic ideal of yōen inform the tale. Evidence relating to the date and authorship of the tale is explored in two appendixes.