Fifteen years have passed since Mother Sun last sent her children to walk the world. When the eclipse comes, the people retreat to the caverns beneath the Kaladim, passing the days in total darkness while the Fire Children explore their world. It’s death to even look upon them, the stories say. Despite the warnings, Yulla gives in to her curiosity and ventures to the surface. There she witnesses the Witch Women – who rumors say worship dead Father Sea, rather than Mother Sun – capturing one of the Children and hauling her away. Yulla isn’t the only one who saw the kidnapping; Ember, the last of the Fire Children, reveals himself to Yulla and implores her to help. Trapped above and hunted by witches and the desert wind, Yulla and Ember must find a way to free his siblings and put a stop to the Witch Women’s plans, before they can use the Fire Children to bind Mother Sun herself.

After ten years of servitude, Nish is still held in the blackest dungeon of the maimed God-Emperor, his corrupt father. With the sorcerous quicksilver tears, Gatherer and Reaper, the God-Emperor controls all magic and is remaking the world in his depraved image. Now he wants Nish to be his lieutenant, to become as foul as he is. But the malevolent God-Emperor executed the only woman Nish has ever loved and, even faced with another decade in prison, he cannot serve his father. Santhenar’s only hope of freedom now rests on shy, bookish Maelys, who has been given a shameful duty by her overbearing aunts. Maelys’ gift will allow her to reach Nish’s dungeon unseen, but how can she get him out past the all-seeing gaze of Gatherer and Reaper? And even if she does, how can a friendless renegade with no magic take on the most powerful tyrant the world has ever seen? You won’t want to miss this ‘unflaggingly inventive’ fantasy series by million-selling author Ian Irvine. What reviewers say about the Three Worlds books “A compelling adventure in a landscape full of wonders.” – Locus “A page-turner of the highest order … Formidable!” – SFX on Geomancer “It is the most engrossing book I’ve read in years.” – Van Ikin, Sydney Morning Herald “Readers of Eddings, Goodkind and Jordan will lap this one up.” – Starlog “Utterly absorbing.” Stephen Davenport, Independent Weekly “For sheer excitement, there’s just no one like Irvine.” SFX on The Destiny of the Dead “As good as anything I have read in the fantasy genre.” – Adelaide Advertiser Reviews of The Song of the Tears trilogy “Hang on with both hands, because this story waits for no one.” Sandy Auden, SFX on The Fate of the Fallen. “The final payoff is fantastic. The most unflaggingly inventive storyteller we’ve seen in years.” Sydney Morning Herald on The Destiny of the Dead “This precise and beautifully crafted novel blooms from its ascetic opening to a resonant and rewarding climax. Makes what’s currently available on fantasy shelves seem hackneyed and formulaic. Utterly absorbing.” Stephen Davenport, Independent Weekly “Unbelievably, Irvine has managed to increase the pace of his story in this third and final volume – for sheer excitement, there’s just no one like Irvine around at the moment.” SFX on The Destiny of the Dead. “Whether you like interesting characters, good description or a well thought out world, this book is bound to impress you.” – Nicole Juliette, Dreamhosters.com "Another blockbuster fantasy series." Colin Steele, Canberra Times.

This book describes the collisions between the art world and the law, with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include + the fate of works of art in wartime, + the international trade in stolen and illegally exported cultural property, + artistic freedom, + censorship and state support for art and artists, + copyright, + droit moral and droit de suite, + the artist's professional life and death, + collectors in the art market, + income and estate taxation, + charitable donations and works of art, and + art museums and their collections. The authors are recognised experts in the field who have defined the canon in many aspects of art law.

"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ...entirely devoted to the study of MAN - the Indian - in all spheres ... " -- introduction to facsimile volumes, published 1985.

Tibetan Text, English Abstracts And Notes Bibliotheca Indica 1905-41

After the prediction of Ryder's mother, once a great prophet and powerful witch, comes true and their village is destroyed by a deadly assassin, Ryder embarks on a quest that takes him into the mountains in search of the destroyer.