An Atlantis-like city from Celtic legend is the setting of The Daughters of Ys, a mythical graphic novel fantasy from National Book Award winner M. T. Anderson and artist Jo Rioux. Ys, city of wealth and wonder, has a history of dark secrets. Queen Malgven used magic to raise the great walls that keep Ys safe from the tumultuous sea. But after the queen's inexplicable death, her daughters drift apart. Rozenn, the heir to the throne, spends her time on the moors communing with wild animals, while Dahut, the youngest, enjoys the splendors of royal life and is eager to take part in palace intrigue. When Rozenn and Dahut's bond is irrevocably changed, the fate of Ys is sealed, exposing the monsters that lurk in plain view. M. T. Anderson and Jo Rioux reimagine this classic Breton folktale of love, loss, and rebirth, revealing the secrets that lie beneath the surface.

Celebrating over 25 years of Ys, the flagship series of Japanese RPG publisher Nihon Falcom! Ys: The Art Book collects the fantastic artwork of more than a dozen titles in the Ys franchise, from the original game all the way up to the brand-new Ys: Memories of Celceta. Includes pinups, character designs, rare concept art, and more!

In book three of the King of Ys series, Gratillonius’s reign faces a deadly new threat from across the sea For sixteen years Gratillonius has been the king of Ys, a position he has used to bring the once-teetering city-state back to stability as the Roman Empire continues to collapse around it. Rome would prefer a more malleable leader in Gratillonius’s place and makes no secret of it. As pressure from Roman leadership increases, Gratillonius must also contend with Niall maqq Echach, the leader of Northern Ireland who holds the Ysan king responsible for the death of his son. Compounding these complications is the ever-present threat of retribution by the Ysan gods, should the kingdom’s leadership make a misstep. But perhaps the greatest danger of all is unfolding from within Gratillonius’s own household, where, following the death of one of his nine wives, the gods have named an unsettling replacement: Dahut, Gratillonius’s own daughter. As treachery mounts from within and without, Gratillonius must hold to his principles in defiance of the gods while still protecting Ys from the destruction closing in on all sides. Dahut is the third book in Poul and Karen Anderson’s King of Ys series, which concludes with The Dog and the Wolf.

"The Demoiselle d'Ys" by Robert W. Chambers is a chilling tale of the supernatural, woven into the haunting atmosphere of France. The story follows the narrator as he becomes enchanted—and disturbed—by a mysterious woman in a french mansion. Her elusive beauty and strange connection to a legendary curse draw him into a web of suspense and unease, exploring themes of obsession, otherworldly allure, and the spectral remnants of the past.

The book, compiled by retired professor Dr. Rajender Attri, contains letters written by Dr. Parmar to his son Luv Parmar. These rare letters span a variety of topics. In one of the letters, Dr. Parmar can be seen instructing his son to construct a gaushala with just Rs. 1000, and in another, expressing his inability to buy a pair of cricket boots for his son. The love Dr. Parmar had for the state of Himachal Pradesh is heart warming and these letters show an intimate look into the personal and political life of Himachal Nirmata.

Master of modern occultism, Lon Milo DuQuette, (author of Enochian Vision Magick and The Magick of Aleister Crowley) introduces the newest Weiser Books Collection—The Magical Antiquarian Curiosity Shoppe. Culled from material long unavailable to the general public, DuQuette curates this essential new digital library with the eye of a scholar and the insight of an initiate. Robert W. Chamber's most hauntingly romantic tale from his collection of horror. From the intro: The most achingly beautiful and romantic of all the vignettes of The King in Yellow. Chambers exquisitely colors each scene, each action, each thought with the measured care of a master painter driven mad with ecstatic love. In this installment he makes no mention of the dreaded document, The King in Yellow, but he really doesn’t need to. By now the reader has been drawn into the unspoken nightmare of its spell – trapped like some helpless prehistoric beast sinking slowly to ia suffocating death in a tar-pit of elegantly phrased insanity. Will love prevail for our hero?