It's not easy for a man pushing forty to meet other gay men while living on the outskirts of the Great Xia kingdom. That is, until the perpetually-single Wu Xingzi catches wind of The Peng Society for Gentleman--a top secret club for men to meet each other and perhaps even exchange lewd ink drawings of their personal anatomy via pigeon post. What was once a faraway dream for Wu Xingzi has quickly become his new purpose in life: to collect as many shockingly detailed phallic illustrations as he can! There is just one problem. His favorite specimen belongs, in the flesh, to the notorious Guan Shanjin, a man of ill repute who is intent on thrusting himself into Wu Xingzi's world. Will their encounters become too hot for Wu Xingzi to handle? Or will they find themselves both coming back for more?

Joining the Peng Society has really turned Wu Xingzi's life on its head! His new lifestyle hasn't just earned him a thrilling collection of phallic illustrations, but also a whirlwind affair with maverick Guan Shanjin, a handsome young general who's relentless both on the battlefield and in the bedroom. When Guan Shanjin whisks him away from the lonely backwater province he's called home, Wu Xingzi braces himself for a wild ride. However, Guan Shanjin seems preoccupied with an old flame, and Wu Xingzi has no intention of overstaying his welcome. After all, an unremarkable middle-aged clerk like him has nothing more to offer Guan Shanjin than a passing fling... Right?

This publication celebrates an artist at the height of his international career. The highly anticipated exhibition 'Cai Guo-Qiang: Falling Back to Earth' will be accompanied by a richly illustrated catalogue, tracing QAGOMA's unique history with this globally renowned artist, from his early-career works from 'The Asia Pacific Triennial of Contemporary Art' in 1996 and 1999 through to the presentation in 2013 of his major new works. Essays by Australian and international authors will explore the exhibition's interrelated themes of nature, spirituality and globalisation, and focus on Cai's new works, documented here for the first time. With writing also by Cai Guo-Qiang on his collaborations with children from around the world.

As an experienced surgeon, Tang Yue went to the living room and worked in the kitchen. As soon as he teleported, his job was gone, his house was gone, his money was gone, even his boyfriend who had just caught up with him was also gone. Fortunately, he was a decathlon, so he was able to win his grandmother's heart. He was able to arouse his father's love, wake his stepmother's heart, and deal with this little girl was a piece of cake. Wait a minute, what's going on with this man? It was impossible for patients and doctors to have true love! "You are so virtuous that This King wishes to take you as his wife." "Hire?" "Alright then, since you can't take advantage of the money, you can't have a concubine at home, you can't go to bed without washing your feet, you can't kiss without brushing your teeth, and if you want to have special services, you have to hand over all your property first. What do you say?" "Good!"

"What!?" Waiting for the male contestants? " What a scam! Being a male concubine was a technical job, and the most important thing was to tightly hug the big legs. (_) * [Small amount of palace fights, levelling up, establishment, and strength] "I would like to request a recommendation vote, and also request for a collection of 'The Transmigration of Men' for my eyes."

Zheng Chongbin sculpts light and space to shift our perspective of the sky and our place in the ever-changing world. Zheng Chongbin: I Look for the Sky documents a solo exhibition of new works by Bay Area-based, Chinese contemporary ink artist Zheng Chongbin. The exhibition consists of a newly-commissioned, large-scale ceiling installation in AAM's Bogart Court and a light tunnel/environment surrounded by an installation of paintings in AAM's Osher Gallery, opening in June 2020. The publication historicizes this prominent, mid-career artist through two scholarly essays and an artist statement related to the new works in the exhibition. The Asian Art Museum--Chong-Moon Lee Center for Asian Art and Culture is a public institution whose mission is to lead a diverse global audience in discovering the unique material, aesthetic, and intellectual achievements of Asian art and culture.

She needs a champion. He needs one less person to worry about. Selena Lockhart comes with neither dowry nor connections, and she knows better than to expect Society to give her a welcome—especially after her father gambled away his fortune, precipitating the family’s sudden fall from grace and Selena’s betrothed to break off their engagement. It therefore comes as no surprise that her new neighbor, Sir Lucius, treats her with disdain. Why should he look beyond appearances when her own promises so little? Sir Lucius Clavering is not married, but he may as well be, considering he is expected to escort his widowed mother to watering holes, round out the numbers at his married sister’s dinners, and come to the aid of his scapegrace younger siblings. It doesn’t help that single women and matchmaking mamas jostle each other to claim his face, fortune, and title so that he’s left without a moment’s peace. When Selena shows up at Lucius’s doorstep looking for help, he is sure it’s another ploy aimed at cutting up his prized bachelor existence. Although his prejudice does not last long, Lucius fears his first reaction might have ruined his chances with her. How can he save her from Society’s teeth when she continues to hold him at arm’s length?