Women’s writing in Cameroon has so far been dominated by Francophone writers. The short stories in this collection represent the yearnings and vision of an Anglophone woman, who writes both as a Cameroonian and as a woman whose life has been shaped by the minority status her people occupy within the nation-state. The stories in Your Madness, Not Mine are about postcolonial Cameroon, but especially about Cameroonian women, who probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians. Makuchi has given us powerful portraits of the people of postcolonial Africa in the so-called global village who too often go unseen and unheard.

Discover the true genius behind history's greatest "madmen". From Dr. Frankenstein to Dr. Jekyll, the image of the mad scientist surrounded by glass vials, copper coils, and electrical apparatus remains a popular fixture. In films and fiction, he's comically misguided, tragically misunderstood, or pathologically evil. But the origins of this stereotype can be found in the sometimes-eccentric real life men and women who challenged our view of the world and broke new scientific frontiers. They Called Me Mad recounts the amazing true stories of such historical luminaries as Archimedes, the calculator of pi and creator of the world's first death ray; Isaac Newton, the world's first great scientist and the last great alchemist; Nikola Tesla, who built the precursors of robots, fluorescent lighting, and particle beam weapons before the turn of the twentieth century-and more.

NOW A MAJOR MOTION PICTURE STARRING CHLOË GRACE MORETZ A “captivating” (The New York Times Book Review), award-winning memoir and instant New York Times bestseller that goes far beyond its riveting medical mystery, Brain on Fire is a powerful account of one woman’s struggle to recapture her identity. When twenty-four-year-old Susannah Cahalan woke up alone in a hospital room, strapped to her bed and unable to move or speak, she had no memory of how she’d gotten there. Days earlier, she had been on the threshold of a new, adult life: at the beginning of her first serious relationship and a promising career at a major New York newspaper. Now she was labeled as violent, psychotic, a flight risk. What happened? In an “unforgettable” (Elle), “stunningly brave” (NPR), and breathtaking narrative, Susannah tells the astonishing true story of her descent into madness, her family’s inspiring faith in her, and the lifesaving diagnosis that almost didn’t happen. “A fascinating look at the disease that…could have cost this vibrant, vital young woman her life” (People), Brain on Fire is an unforgettable exploration of memory and identity, faith and love, and a profoundly compelling tale of survival and perseverance.

"The vast literature on Virginia Woolf's life, work, and marriage falls into two groups. A large majority is certain that she was mentally ill, and a small minority is equally certain that she was not mentally ill but was misdiagnosed by psychiatrists. In this daring exploration of Woolf's life and work, Thomas Szasz--famed for his radical critique of psychiatric concepts, coercions, and excuses--examines the evidence and rejects both views. Instead, he looks at how Virginia Woolf, as well as her husband Leonard, used the concept of madness and the profession of psychiatry to manage and manipulate their own and each other's lives.Do we explain achievement when we attribute it to the fictitious entity we call ""genius""? Do we explain failure when we attribute it to the fictitious entity we call ""madness""? Or do we deceive ourselves the same way that the person deceives himself when he attributes the easy ignition of hydrogen to its being ""flammable""? Szasz interprets Virginia Woolf's life and work as expressions of her character, and her character as the ""product"" of her free will. He offers this view as a corrective against the prevailing, ostensibly scientific view that attributes both her ""madness"" and her ""genius"" to biological-genetic causes. We tend to attribute exceptional achievement to genius, and exceptional failure to madness. Both, says Szasz, are fictitious entities."

Dr. Gabriella Mondini, a strong-willed, young Venetian woman, has followed her father in the path of medicine. She possesses a singleminded passion for the art of physick, even though, in 1590, the male-dominated establishment is reluctant to accept a woman doctor. So when her father disappears on a mysterious journey, Gabriella's own status in the Venetian medical society is threatened. Her father has left clues -- beautiful, thoughtful, sometimes torrid, and often enigmatic letters from his travels as he researches his vast encyclopedia, The Book of Diseases. After ten years of missing his kindness, insight, and guidance, Gabriella decides to set off on a quest to find him -- a daunting journey that will take her through great university cities, centers of medicine, and remote villages across Europe. Despite setbacks, wary strangers, and the menaces of the road, the young doctor bravely follows the clues to her lost father, all while taking notes on maladies and treating the ill to supplement her own work. Gorgeous and brilliantly written, and filled with details about science, medicine, food, and madness, The Book of Madness and Cures is an unforgettable debut.

"When Andres saw the new kid in the neighborhood solve a Rubik's cube super fast, he wondered if he could learn to solve one too. He tried twisting and turning the multicolored cube but it seemed impossible. With a little encouragement from his mom, Andres began to practice every day. And when he discovered a Rubik's cube competition to qualify for the biggest championship, he knew he had to try! Andres and His Rubik's Cube Madness is based on the true story of Andres "€" a boy who cleverly practiced hard and learned hundreds of algorithms to solve the Rubik's cube in lightning speed. He was dedicated and persistent, but most importantly, he never gave up."

The Nobel Prize–winning “master of the bizarre plunges the reader into a world of tortured imagination” in this four-novella collection (Library Journal). In this startling quartet of his most provocative stories, the multiple prize-winning author of A Personal Matter reaffirms his reputation as “a supremely gifted writer” (The Washington Post). In The Day He Himself Shall Wipe My Tears Away, a self-absorbed narrator on his deathbed drifts off to the comforting strains of a cantata as he recalls a blistering childhood of militarism, sacrifice, humiliation, and revenge—a tale that is questioned by everyone who knew him. In Prize Stock, winner of the Akutagawa Prize, a black American pilot is downed in a Japanese village during World War II, where the local children see him as some rare find—exotic and forbidden. In Aghwee The Sky Monster, the floating ghost of a baby inexplicably haunts a young man on the first day of his first job. And in the title story, a devoted father believes he is the only link between his mentally challenged son and reality. “[A] remarkable book.” —The Washington Post “Ōe is definitely one of the Modern Masters.” —Seattlepi.com