Combine the poetry of six of America's finest poets with specifically commissioned illustrations from its finest artists and you get a deluxe treasury of more than 150 classic works from the pen of Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandburg and Walt Whitman. As you and your child read each poem together, you'll both feel as if a magical world - sometimes light and charming, sometimes dark and spooky - has come to life through the remarkable harmony between word and image. And with a biography of each poet, commentary and definitions for the harder vocabulary, you'll be able to help youngsters appreciate the beauty of the verse's sound and rhythm and understand what is being said between the lines. Nothing is better for inspiring a lifetime love of poetry, of language and of reading.

The single largest category of Beowulf representation and adaptation, outside of direct translation of the poem, is children’s literature. Over the past century and a half, more than 150 new versions of Beowulf directed to child and teen audiences have appeared, in English and in many other languages. In this collection of original essays, Bruce Gilchrist and Britt Mize examine the history and processes of remaking Beowulf for young readers. Inventive in their manipulations of story, tone, and genre, these adaptations require their authors to make countless decisions about what to include, exclude, emphasize, de-emphasize, and adjust. This volume considers the many forms of children’s literature, focusing primarily on picture books, illustrated storybooks, and youth novels, but taking account also of curricular aids, illustrated full translations of the poem, and songs. Contributors address issues of gender, historical context, war and violence, techniques of narration, education, and nationalism, investigating both the historical and theoretical dimensions of bringing Beowulf to child audiences.

Volumes for 1898-1968 include a directory of publishers.