We can hardly imagine a Britain without Elizabeth II on the throne. It seems to be the job she was born for. And yet for much of her early life the young princess did not know the role that her future would hold. She was our accidental Queen.Elizabeth's determination to share in the struggles of her people marked her out from a young age. Her father initially refused to let her volunteer as a nurse during the Blitz, but relented when she was 18 and allowed her to work as a mechanic and truck driver for the Women's Auxiliary Territorial Service. It was her forward-thinking approach that ensured that her coronation was televised, against the advice of politicians at the time.Kate Williams reveals how the 25-year-old young queen carved out a lasting role for herself amid the changes of the 20th century. Her monarchy would be a very different one to that of her parents and grandparents, and its continuing popularity in the 21st century owes much to the intelligence and elusive personality of this remarkable woman.

A “gripping historical drama” that tells the story of young Elizabeth Tudor’s journey to the throne—and her fierce rivalry with her half sister (School Library Journal). Imprisonment. Betrayal. Lost love. Murder. What more must a princess endure? Elizabeth Tudor’s teenage and young adult years during the turbulent reigns of Edward and then Mary Tudor are hardly those of a fairy-tale princess. Her mother has been beheaded by Elizabeth's own father, Henry VIII. Her jealous half sister, Mary, has her locked away in the Tower of London. And her only love interest betrays her in his own quest for the throne… Told in the voice of the young Elizabeth and ending when she is crowned queen, this novel in the exciting Young Royals series explores the relationship between two sisters who became mortal enemies. New York Times-bestselling author Carolyn Meyer has written an intriguing historical tale that reveals the deep-seated rivalry between a determined girl who became Elizabeth I, one of England's most powerful monarchs—and the sister who tried everything to stop her.

First produced in New York by the Women's Project, APPROXIMATING MOTHER is a contemporary new comedy about today's middle-class maternity boom. In the play, two women friends from the city, and a pregnant Midwestern teenager, discourse on the pros and con

"This is Alice. She was taken by Ray five years ago. She thought she knew how her story would end. She was wrong."-- [P.4] Cover.

“In this slow-simmering but rewarding retelling, first-novelist Bunce presents an innovative interpretation of Rumpelstiltskin.” —Horn Book Winner of the William C. Morris Award for a Young Adult Debut An ALA Best Book for Young Adults A Smithsonian Notable Book An Oprah’s Book Club Kids’ Reading List Teen Selection The gold thread promises Charlotte Miller a chance to save her family’s beloved woolen mill. It promises a future for her sister, jobs for her townsfolk, security against her grasping uncle—maybe even true love. To get the thread, Charlotte must strike a bargain with its maker, the mysterious Jack Spinner. But the gleam of gold conjures a shadowy past—secrets ensnaring generations of Millers. And Charlotte’s mill, her family, her love—what do those matter to a stranger who can spin straw into gold? This is an award-winning and wholly original retelling of “Rumplestiltskin.” “Set in a rural valley in the late 1700s, this reworking of the ‘Rumplestiltskin’ story includes ghosts, witchcraft, elements of Georgian society, and much earlier folk magic in the guise of a novel of manners.” —School Library Journal “A Curse Dark as Gold beats the hell out of any fantasy novel I’ve read this year. Her heroine/narrator is immensely appealing; the atmosphere of a world on the cusp of the Industrial Revolution is completely believable; and the suspense of the story builds so craftily that I started taking notes on just how she does it.” —Peter S. Beagle, World Fantasy Award-winning author “An intelligent, original, and interesting new take on an old fairy tale, and a marvelous debut novel.” —Teen Book Review

For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.