A compelling existential thriller by the Beat-era writer: “Everyone should read Young Adam” (The Times Literary Supplement). Young Adam tells the story of Joe, a drifter who works on a barge traveling the Clyde River between Glasgow and Edinburgh. As the novel opens, Joe finds the corpse of a young woman floating in the water. Was it an accident, a suicide, or murder? As the police investigate and arrest a suspect, it becomes clear that Joe knows far more than he’s telling. Originally published in 1954, Young Adam was made into a film starring Ewan McGregor and Tilda Swinton, and is now reissued with an introduction by PEN finalist and literary critic David L. Ulin. This is a psychologically suspenseful novel and an absorbing portrait of a haunted man, from an iconoclastic Beat writer praised by the New Yorker for “prose that is always clean and sharp and often ferociously alive with poetry” and called “the most brilliant man I ever met” by Allen Ginsberg. “Trocchi may be the greatest unknown writer in the world.” —The Bloomsbury Review

Once upon a fine morning, a little shed awakens to discover she isn't quite the same as she used to be. Uncertain and feeling as if she no longer fits in, she decides to leave home and sets out to sea. All alone on the wide, wide ocean, she meets an extraordinary new friend who sees how special she really is, and with newfound confidence, the little red shed returns home and inspires everyone to cherish their differences.

They rowed hard, away from the battleships and the bombs. Water sprayed over them. The rowboat pitched one way and then the other. Then, before his eyes, the Arizona lifted up out of the water. That enormous battleship bounced up in the air like a rubber ball and split apart. Fire burst out of the ship. A geyser of water shot into the air and came crashing down. Adam was almost thrown out of the rowboat. He clung to the seat as it swung around. He saw blue skies and the glittering city. The boat swung back again, and he saw black clouds, and the Arizona, his father's ship, sinking beneath the water. -- from A Boy at War "He kept looking up, afraid the planes would come back. The sky was obscured by black smoke....It was all unreal: the battleships half sunk, the bullet holes in the boat, Davi and Martin in the water." December 7, 1941: On a quiet Sunday morning, while Adam and his friends are fishing near Honolulu, a surprise attack by Japanese bombers destroys the fleet at Pearl Harbor. Even as Adam struggles to survive the sudden chaos all around him, and as his friends endure the brunt of the attack, a greater concern hangs over his head: Adam's father, a navy lieutenant, was stationed on the USS Arizona when the bombs fell. During the subsequent days Adam -- not yet a man, but no longer a boy -- is caught up in the war as he desperately tries to make sense of what happened to his friends and to find news of his father. Harry Mazer, whose autobiographical novel, The Last Mission, brought the European side of World War II to vivid life, now turns to the Pacific theater and how the impact of war can alter young lives forever.

When Adam Freedman - a straight, cis teen from Piedmont, California - goes to stay with his older sister, Casey, in Brooklyn, he fantasizes about a summer of freedom, new friends, and falling in love. He's in for a surprise. It's 2006, and Casey has thrown herself into NYC's lesbian and trans activist scene. Adam tags along, having fun in places he'd never have expected, but he's surrounded by lesbians, and it seems like the last thing he'll find is a girlfriend. That is, until he meets Gillian. Adam is soon hopelessly, desperately in love - only there's just one small problem. Gillian thinks he's a trans man

This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs

This book explores contemporary maritime piracy in Southeast Asia, demonstrating the utility of using historical context in developing policy approaches that will address the roots of this resurgent phenomenon. The depth and breadth of historical piracy help highlight causative factors of contemporary piracy, which are immersed in the socio-cultural matrix of maritime-oriented peoples to whom piracy is still a "thinkable" option. The threats to life and property posed by piracy are relatively low, but significant given the strategic nature of these waterways that link the Pacific and Indian Oceans, and because piracy is emblematic of broader issues of weak state control in the littoral states of the region. Maritime piracy will never be completely eliminated, but with a progressive economic and political agenda aimed at changing the environment from which piracy is emerging, it could once again become the exception rather than the rule.