Kets de Vries profiles a range of toxic executives the narcissist, psychopath, cold fish, obsessive-compulsive, and many more, offering coaches examples of interventions that have worked and those that haven't, to help coaches deal with difficult people and become more effective.

Edited by two renowned Allen experts, A Companion to Woody Allen presents a collection of 26 original essays on the director’s films. Contributions offer a number of divergent critical perspectives while expanding the contexts in which his work is understood. A timely companion by the authors of two of the most important books on Allen to date Illuminates the films of Woody Allen from a number of divergent critical perspectives Explores the contexts in which his work should be understood Assesses Allen’s remarkable filmmaking career from its early beginnings and investigates the conflicts and contradictions that suffuse it Discusses Allen’s recognition as a global cinematic figure

This revised and updated edition gathers interviews and profiles covering the entire forty-five-year span of Woody Allen's career as a filmmaker, including detailed discussions of his most popular as well as his most critically acclaimed works. The present collection is a complete update of the volume that first appeared in 2006. In the years since, Allen has continued making movies, including Midnight in Paris and the Oscar-winning Blue Jasmine. While many interviews from the original edition have been retained in the present volume, nine new entries extend the coverage of Allen's directorial career through 2015. In addition, there is a new, in-depth interview from the period covered in the first edition. Most of the interviews included in the original volume first appeared in such widely known publications and venues as the New York Times, the Washington Post, Time, the New Yorker, Rolling Stone, and Playboy. A number of smaller and lesser-known venues are also represented, especially in the new volume. Several interviews from non-American sources add an international perspective on Allen's work. Materials for the new volume include pieces focusing primarily on Allen's films as well as broader profiles and interviews that also concentrate on his literary talent. Perhaps Stephen Mamber best describes Allen's distinctiveness, especially early in his career: “Woody Allen is not the best new American comedy director or the best comedy writer or the best comedy actor, he's simply the finest combination of all three.”

A film by film guide through the career of Woody Allen, from his masterpieces Annie Hall and Manhattan, to lost gems like Shadows and Fog. The book also goes into Woody's cameos and performances in other people's movies, such as Antz and Fading Gigolo. There are also new interviews with people who have worked with him over the years, including Jerry Lacy (Play It Again Sam), and Gloria Norris, who was Woody's personal assistant on Stardust Memories, Zelig and A Midsummer Night's Sex Comedy.

This book analyses and describes a segment of Woody Allen’s cinematic discourse, focusing specifically on the performed (or diegetic) interactions between actors in various roles in some of his films. It is a case study of Woody Allen's cinematic discourse, encompassing the on-screen, performed interaction in the films at the level of the story-world. The analysis focuses on speech (film dialogues), in both its verbal and prosodic forms, as well as non-verbal types of interaction including gaze and gesture, taking a social interactional approach and using multimodal conversation analysis as a theoretical framework and analytical tool. The 'texts' under study are segments from five films by Woody Allen, and the analysed interactions take place between male and female interactants, which allows further examination of on-screen interactions via a gender lens. The book aims to bridge the gap between the disciplines of applied linguistics and cinema studies and offer linguistic insights into performed interactions from a multimodal point of view. It will be equally relevant to linguists who are interested in how verbal and non-verbal language is used in cinematic discourse, as well as to film workers, especially actors, directors and screenwriters.

Two couples discover the grass may not always be greener on the other side in Woody Allens breezy comedy on wry, You Will Meet A Tall Dark Stranger. Hoping to relive the pleasures of youth, Alfie Shepridge (Anthony Hopkins) dumps his wife of 40 years (Gemma Jones) and pursues a young call girl (Lucy Punch). So when daughter Sally (Naomi Watts) develops a crush on her boss (Antonio Banderas) and husband Roy (Josh Brolin) becomes obsessed with the beauty (Freida Pinto) who lives across the way, the entire clans fantasies take on reality as their passions not only drive them out of their marriages, but out of their minds as well.

The only film critic to win the Pulitzer Prize, Roger Ebert collects his reviews from the last 30 months in Roger Ebert's Movie Yearbook 2012. Forbes Magazine described Ebert as the "most powerful pundit in America." In January 2011, he and his wife, Chaz, launched Ebert Presents at the Movies, a weekly public television program in the tradition that he and Gene Siskel began 35 years earlier. Since 1986, each edition of Roger Ebert's Movie Yearbook has presented full-length movie reviews, with interviews, essays, tributes, journal entries, and "Questions for the Movie Answer Man," and new entries in his popular Movie Glossary. Inside Roger Ebert's Movie Yearbook 2012, readers can expect to find every movie review Ebert has written from January 2009 to July 2011, including The Social Network, Waiting for Superman, Inception, The King's Speech, My Dog Tulip, The Human Centipede, and more. Also included in the Yearbook are: * In-depth interviews with newsmakers and celebrities, such as John Waters and Justin Timberlake. * Memorial tributes to those in the film industry who have passed away, such as Blake Edwards, Tony Curtis, and Arthur Penn. * Essays on the Oscars and reports from the Cannes and Toronto Film Festivals.