"It wasn't easy in those days for a woman to get her foot in the city room door. Bess made it because she understood one of the basic principles of the newspaper business--everyone has a story. You have only to discover it and tell it well. "She will tell you in this book about meeting interesting people. You will learn that there are few more interesting than Bess Scott herself."--William P. Hobby At the age of twenty-five, Bess Whitehead Scott became the first woman reporter for the city desk of the Houston Post. The year was 1915. The author's memoir of the first ninety-seven years of her life illustrates how determination, courage, hard work, and caring family and friends propelled her past enormous obstacles, including poverty and a hearing impairment. Born near Blanket, Texas, in 1890, she grew up on a small farm held together by her widowed mother and eight brothers and sisters. Scott graduated from Baylor University and taught school briefly before she persuaded the Post editors to give her a chance. Her success led to other jobs in the then-unnamed field of public relations. Then, even before the filming of the silent movie classic, Birth of a Nation, she went to the little film colony called Hollywood, to try her hand at writing "scenarios." Fame and fortune kept their distance from Bess Scott, but she did encounter many individuals whose fame, or infamy, whose friendship or failures made a deep impression on her. Clark Gable and Lyndon Johnson were her friends; her best friend, Lila Danforth, was always there during rough times when her marriage failed and she had to support her two small children by double moonlighting to supplement her meager earnings as a reporter. The opportunities and rights of women, the handicapped, and single, working mothers that are today taken for granted did not exist for Bess Whitehead Scott's mother or for her. Their talents and stamina in fighting rural and urban hardships exemplify a century of women's progress and highlight the roles played by the "interesting" people strung along the thread of their lives.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

In this #1 New York Times bestseller, Ijeoma Oluo offers a revelatory examination of race in America Protests against racial injustice and white supremacy have galvanized millions around the world. The stakes for transformative conversations about race could not be higher. Still, the task ahead seems daunting, and it’s hard to know where to start. How do you tell your boss her jokes are racist? Why did your sister-in-law hang up on you when you had questions about police reform? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from police brutality and cultural appropriation to the model minority myth in an attempt to make the seemingly impossible possible: honest conversations about race, and about how racism infects every aspect of American life. "Simply put: Ijeoma Oluo is a necessary voice and intellectual for these times, and any time, truth be told." ―Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair

Considers S. 1312, to exempt from the antitrust laws certain combinations and arrangements necessary for the survival of failing newspapers. Includes report "Newspaper Monopolies and the Antitrust Laws, a Study of the Failing Newspaper Act;" by International Typographical Union, 1967 (p. 125-172).

This new book gives you everything you need to know to get into print. Whether you are seeking an agent or publisher, or have decided to self-publish, it gives you the background information, step-by-step guides and a unique selection of case studies from published authors and insider tips from industry experts. With an exhaustive list of useful addresses and websites, it is an essential manual for any aspiring author. Features contributions from key literary agencies (including Curtis Brown and Pollinger) and top publishing companies (including John Murray and Headline). NOT GOT MUCH TIME? One, five and ten-minute introductions to key principles to get you started. AUTHOR INSIGHTS Lots of instant help with common problems and quick tips for success, based on the author's many years of experience. TEST YOURSELF Tests in the book and online to keep track of your progress. EXTEND YOUR KNOWLEDGE Extra online articles at www.teachyourself.com to give you a richer understanding of getting your book published. FIVE THINGS TO REMEMBER Quick refreshers to help you remember the key facts. TRY THIS Innovative exercises illustrate what you've learnt and how to use it.

Ariella, a freelance writer of magazine articles, is commissioned to write a series of articles on the fate of the small family circus. She joins a circus for the summer in order to get first-hand experience. The trouble is, someone is trying to kill her.

This book helps and motivates doctors facing or contemplating leaving the profession. It offers simple but comprehensive strategies, resources and reflections to explore where they are, where they want to be, how to get there, and how to lead a content and fulfilling life if and when they do leave medicine.