The highly anticipated and timely follow-up to Philip Gourevitch’s award-winning bestseller We Wish to Inform You That Tomorrow We Will Be Killed with Our Families. Philip Gourevitch's unforgettable modern classic We Wish to Inform You That Tomorrow We Will Be Killed with Our Families opened our eyes to the 1994 genocide of Rwanda’s Tutsi minority: Close to a million people were murdered by their neighbors in one hundred days. Now Gourevitch brings us an astonishingly vivid and intimate exploration of how killers and survivors live together again in the same communities, grappling with seemingly impossible burdens of memory and forgetting, denial and confession, vengefulness and forgiveness. A fiercely beautiful literary reckoning, You Hide That You Hate Me and I Hide That I Know—the culmination of twenty-five years of reporting on the aftermath of the slaughter—takes its title from a stark Rwandan adage that speaks to the uneasy trade-offs that reconciliation after near annihilation demands. Since the genocide, Rwanda has engaged in the most ambitious and sweeping process of accountability ever undertaken by any society. “Truth Heals” was the slogan. But truth also wounds. And truth is always contested. As Gourevitch returns repeatedly over the decades to the same families in one hillside village, their accounts of killing and surviving, and of the life after, inform and enlarge one another, becoming ever more complex and charged with significance. These stories are at once as essential and as extreme as classical myths, illuminating the ways that we seek, individually and collectively, to negotiate our irreparable pasts in pursuit of a more habitable future. This deeply moving book continuously invites us—as only great writing can—to think, and to think again.

YOU HIDE THAT YOU HATE ME AND I HIDE THAT I KNOW by Philip Gourevitch is a forthcoming title from Farrar, Straus and Giroux.

""Lawfare" describes the systematic use and abuse of legal procedure for political ends which, in post-genocide Rwanda, contributed to the making of dictatorship. Jens Meierhenrich explains how and why Paul Kagame's Tutsi-led government in the period 1994-2019 learned to substitute law for war in its consolidation of authoritarian rule"--

Is it a case of genius or criminal behavior? Have a brilliant innkeeper and her husband, a retired wildlife photographer, relied on genius or hidden cameras to reveal the love lives of their guests? These questions stir the controversy at the center of The Ultimate Voyeur. The owners of a Southern inn renowned for hospitality, Catherine Morgan and her husband are uncanny in their way of breaching barriers that people hide behind. Each chapter of The Ultimate Voyeur explores the innkeepers personal story and includes an episode involving guests. One guest, a talented scriptwriter, learns about the several hundred files compiled by Catherine and turns them with the innkeepers help into a massively popular TV program airing once a week. The episodes unfold the hidden love lives of the guests, extending from ingenious bedroom farce (The Jinx in High Jinks) to passionate romance (The Ten-Million-Dollar Wedding Ring) to something sinister (Whodunit to the Famous Mystery Writer?). The portrayal of the mystery writer strikes too close to home. Infuriated at his loss of privacy and sure that hidden cameras are to blame, he finds ambiguous evidence at the inn and plots his vengeance. In his wild retaliation that transcends his cardboard characters, the separate realms of life and art explode on contact to reveal the innkeepers inmost secrets. At the climax, one is led to fundamental insights into secrets at the heart of everybody and the chaos or compassion that results from their disclosure.

Through close readings of these three figures, Robinson argues that more is going on among American men than meets the casual eye - and that much of what is going on is reflected in the most popular of our art forms, detective novels, action movies, and rock music.

Secrets... Fallon has one. She doesn't know it, but it will kill her... if she's caught. Love... Isaiah. Her soul mate. Made especially for her. Created especially for her. Designed to be everything she would ever need. But loving him will destroy her. Betrayal... Willing to die for her, kill for her, Isaiah must first save her from the monster chasing them - the man that had created them to annihilate the world. What would you risk for love?

Amber hates herself, she hates everything about herself, from her curly, red hair to her bad habits of smoking, drinking and shoplifting. But most of all, she hates feeling unlovable and that's caused by a deep-seated angst of letting anyone too close in case they abandon her too, just like her mother did. So when Amber realises that she has been dumped, made homeless and up to her eyes in debt and in constant fear of losing her job as a beauty therapist. Well, can her life get any worse? Yes, it can, when she finds herself pregnant. Helping her deal with this is a colourful cast of characters that will make sure she gets through it, one way or another. When Amber impersonates a singing sensation, her world is about to be turned upside down once again. Is there more to them looking like sisters than meets the eye? Will Amber discover the truth about her mother? Will Amber ever learn to love herself, even if she gets closure on this? Join Amber on her laughter-filled journey, with all the domestic drama added for an engaging and entertaining read in this funny British novel.