In these essays, Peter M. Ball-Aurealis award-winning author and founder of Brian Jar Press-explores the seemingly unintuitive lessons he's learned over twenty years of writing, educating other writers, and running writing conferences attended by hundreds of authors at every level of experience. Drawn from some of his most popular blog posts, author presentations, and articles, You Don't Want To Be Published sets out to bring the kind of conversations established writers have in private to a more general audience. Here Ball explores the anxieties of building a writing career, the unexpected writing lesson drawn from other forms of narrative, the importance of treating your business like a business, and the subtle shifts in psychology and mindset that can help push your writing career to the next level. Primarily written during the years Ball convened the popular GenreCon Writers Conference and managed the Australian Writers Marketplace, these essays also strive to find the questions new writers don't yet know they should be asking, while arguing the most common inquiry new writers pursue-how do I get published?-is actually the worst place to start. Whether you're a new writer looking to sidestep the common problems, an established writer trying to figure out why your career feels like it's been derailed, or you're simply eager to figure out a new strategy that can push your career forward, You Don't Want to Be Published is full of blunt, irreverent, and unexpected advice that just might change the way you look at the writer's job forever.

Tweedmore & Slyde is a hot Silicon Valley law firm whose chief rainmaker has been found stabbed to death in his corner office. It falls to young associate Howard Rickover to conduct a risky "inside job" for homicide detective Sarah Nelson. Can he flush out a wily murderer -and still keep up with an associate's impossible workload?

There's a mantra that real writers know but wannabe writers don’t. And the secret phrase is this: NOBODY WANTS TO READ YOUR SH*T. Recognizing this painful truth is the first step in the writer's transformation from amateur to professional. From Chapter Four: “When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with ev­ery sentence and every phrase: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is she bored? Is she following where I want to lead her?

Their final gig ended with two hundred people dead. Patrick’s only regret is that he wasn’t there to be a part of it. There were three things everyone knew about the band: they played like demons, sang like angels, and there was definitely something magic about the way they glowed onstage. Patrick’s still hanging onto that, 15 years after their final gig. All those people may be dead, but they were part of something special and he chickened out before the end. Now he’s back on the Gold Coast for the first time in years, walking the streets where he used to see the posters, going past clubs that have been turned into Korean restaurant instead of a home for punk gigs. He can remember everything about those years when he was a fan, and he’s loaded with regrets about the gigs he missed. The band were called many things in their day: Hornet’s Attack Your Best Friend Victor; Whisky-Whisky-111; All that Glitters and We Will Always Have the Lighthouse My Melancholy Bride. None of those names stuck. None of them felt real. And Patrick isn’t sure he cares what the band was called—he just wants to touch that feeling he lost, no matter what it might cost him.

Ready to write your book? So why haven’t you done it yet? If you’re like most nonfiction authors, fears are holding you back. Sound familiar? Is my idea good enough? How do I structure a book? What exactly are the steps to write it? How do I stay motivated? What if I actually finish it, and it’s bad? Worst of all: what if I publish it, and no one cares? How do I know if I’m even doing the right things? The truth is, writing a book can be scary and overwhelming—but it doesn’t have to be. There’s a way to know you’re on the right path and taking the right steps. How? By using a method that’s been validated with thousands of other Authors just like you. In fact, it’s the same exact process used to produce dozens of big bestsellers–including David Goggins’s Can’t Hurt Me, Tiffany Haddish’s The Last Black Unicorn, and Joey Coleman’s Never Lose a Customer Again. The Scribe Method is the tested and proven process that will help you navigate the entire book-writing process from start to finish–the right way. Written by 4x New York Times Bestselling Author Tucker Max and publishing expert Zach Obront, you’ll learn the step-by-step method that has helped over 1,500 authors write and publish their books. Now a Wall Street Journal Bestseller itself, The Scribe Method is specifically designed for business leaders, personal development gurus, entrepreneurs, and any expert in their field who has accumulated years of hard-won knowledge and wants to put it out into the world. Forget the rest of the books written by pretenders. This is the ultimate resource for anyone who wants to professionally write a great nonfiction book.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

12 short stories those who love strange, heartbreaking, and unforgettable fantasy. What if kaiju decimated your hometown, but only half the population could see them? What if mermaids unleashed their wrath against Copenhagen using mechanoid war-machines? What if the man you loved wanted nothing more than running away to live with the faeries, but you were the one they wanted to take with them? The Birdcage Heart & Other Strange Tales gathers together twelve wild and genre-bending fantasy tales from the pen of Peter M Ball, the Ditmar and Aurealis Award-winning author of the cult hit Horn and the Keith Murphy urban fantasy thrillers. These scintillating tales draw inspiration from myth, pop-culture, magic realism and Lovecraftian horrors, showcasing Peter M. Ball’s talent for blurring the line between genres and finding the sublime in both the everyday and the extraordinary. Come meet a man with a birdcage where his heart should be, the resident of Isla Tortuga’s most dangerous bordello, clockwork goats and smokestack magi, dragonkeepers, vengeful musicians, and frustrated public servants. Walk paths through briar-choked cities, deceptively ordinary towns, and an endless stairwell populated by tourists. Prepare yourself for the wickedly inventive magic and startlingly human moments. Whether you’re already a fan of Peter M. Ball, or you’re just about to become one, The Birdcage Heart & Other Strange Tales is a debut collection that shouldn’t be missed. PRAISE FOR PETER M. BALL "Only Peter M. Ball's fiction makes falling down the rabbit hole feel like flying. Funny and surprising, with moments of extraordinary grace." Angela Slatter, Author of the World Fantasy Award-winning The Bitterwood Bible and Other Recountings TABLE OF CONTENTS - The Last, Great House of Isla Tortuga - On the Destruction of Copenhagen By the War-Machines of the Merfolk - The Seventeen Executions of Signore Don Vashta - It’s Not A Bad Job, Really - The Dragonkeeper’s Wife - On the Finding Of Photographs Of My Former Loves - The Clockwork Goat & The Smokestack Magus - The Birdcage Heart - On the Cliffs, By The Sea - Briar Day - L’esprit de L’escalier - On the Arrival of the Paddle-Steamer on the Docks of V—