Two bestselling pop-up book authors provide an overview of sculpture from prehistory until the late 19th century, then give readers a look at several 20th-century artists who helped define modern sculpture. Includes die-cut pieces that can be assembled (and reassembled) in any way the reader chooses. Full color. Consumable.

If he were alive today, he'd be a superstar. He was that good. But Greg Irons died just as his star was rising. He was only 37 years old when a speeding bus on a busy Bangkok street killed him in 1984. Irons was a psychedelic poster artist, an underground cartoonist, a book illustrator, and an emerging tattoo virtuoso who brought a new sensibility to an age-old art form. This retrospective book spans his whole artistic career, from his earliest dance posters, to his ground breaking science fiction and horror comix, to his innovative and colorful tattoo art. Greg Irons was one of the elite among posters artists who worked for Bill Graham's Fillmore Ballroom in San Francisco during the Age of Aquarius, designing posters for Chuck Berry, Jefferson Airplane, Big Brother, and Paul Butterfield. You Call This Art?! reprints his finest psychedelic posters in full-color, as well as complete comic stories from Slow Death Funnies, Legion of Charlies, Deviant Slice, Yellow Dog, Thrilling Murder, and many other underground comic books. It also includes rarely seen album cover art for Jerry Garcia, Blue Cheer, Jefferson Starship and other counterculture musicians. Irons had a third career as an illustrator of children's coloring books, and pages from books including One Old Oxford Ox, Last of the Dinosaurs, Pirates, and Wyf of Bathe appear as well. Many examples of his tattoo art are also included.

Brevity is confidence. Length is fear. This is the guiding principle of Smart Brevity, a communication formula built by Axios journalists to prioritize essential news and information, explain its impact and deliver it in a concise and visual format. Now, the co-founders of Axios have created an essential guide for communicating effectively and efficiently using Smart Brevity—think Strunk and White’s Elements of Style for the digital age. In SMART BREVITY: The Power of Saying More with Less, Axios co-founders Jim VandeHei, Mike Allen, and Roy Schwartz teach readers how to say more with less in virtually any format. They also share communications lessons learned from their decades of experience in media, business and communications.

"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.

Bullshit isn’t what it used to be. Now, two science professors give us the tools to dismantle misinformation and think clearly in a world of fake news and bad data. “A modern classic . . . a straight-talking survival guide to the mean streets of a dying democracy and a global pandemic.”—Wired Misinformation, disinformation, and fake news abound and it’s increasingly difficult to know what’s true. Our media environment has become hyperpartisan. Science is conducted by press release. Startup culture elevates bullshit to high art. We are fairly well equipped to spot the sort of old-school bullshit that is based in fancy rhetoric and weasel words, but most of us don’t feel qualified to challenge the avalanche of new-school bullshit presented in the language of math, science, or statistics. In Calling Bullshit, Professors Carl Bergstrom and Jevin West give us a set of powerful tools to cut through the most intimidating data. You don’t need a lot of technical expertise to call out problems with data. Are the numbers or results too good or too dramatic to be true? Is the claim comparing like with like? Is it confirming your personal bias? Drawing on a deep well of expertise in statistics and computational biology, Bergstrom and West exuberantly unpack examples of selection bias and muddled data visualization, distinguish between correlation and causation, and examine the susceptibility of science to modern bullshit. We have always needed people who call bullshit when necessary, whether within a circle of friends, a community of scholars, or the citizenry of a nation. Now that bullshit has evolved, we need to relearn the art of skepticism.

What does God say about the arts? Can you be a Christian and an artist? How do the arts impact your church? The creation sings to us with the visual beauty of God's handiwork. But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church. If all of life is to be viewed as "under the lordship of Christ," can we rediscover what God's plan is for the arts? Philip Graham Ryken brings into sharp focus a biblical view of the arts and the artists who make art for God's sake. This is a concise yet comprehensive treatment of the major issue of the arts for all who seek answers.

In this natural sequel to How to Imagine the authors direct their attention to the mythology and critical scaffolding that surrounds the enigmatic figure of Marcel Duchamp. What exactly is the value of his work today? How can we thread our way through the intricacies of his thought and achieve some greater understanding of its implications? Baruchello and Martin recapture the essence of Duchamp's singularly revolutionary art and discover as well the man behind the Artist. One again, the story is told in Baruchello's absorbing voice, at once and the same time a voice of authority and disarming modesty. This edition features ten photographs of Duchamp and his work (many taken by Baruchello). A selected bibliography on Duchamp is included.