Cig Harvey's third monograph, You An Orchestra You A Bomb , is a vibrant and bold book; possibly her most beautiful to date. It explores the photographer's relationship with life itself. It is a book about paying attention to and appreciating the fragile present. You An Orchestra You A B omb captures moments of awe, makes icons of the everyday, and looks at life on the threshold between magic and disaster. Cig has always experienced the world viscerally but after a traumatic event, a raw heightened awareness of temporary nature of life permeates this new work. Through breathless moments of beauty, her images propel us to fathom the sacred in the split seconds of everyday. Cig's photographs are interwoven with her int imate poetry in this hauntingly beautiful book.

A book of deeply personal and lush photographs, drawings, and writing, Blue Violet is Cig Harvey's celebration of the natural world and the senses. Blue Violet is a vibrant meditation on the procession of seasons, sensory abundance, and the magic in everyday life. Part art book, botanical guide, historical encyclopedia, and poetry collection, Blue Violet is a compendium of beauty, color, and the senses. Plants, flowers, and our experience of the natural world are the threads that tie this unique book together. Exploring the five senses, Blue Violet takes the reader on a personal journey through nature and the range of human emotions. As with her previous three titles--You Look At Me Like An Emergency, Gardening at Night, and You an Orchestra You a Bomb--this book invites the reader to pause, laugh, cry, create, and become more aware of the natural world. Images and text in a variety of forms (prose poetry, recipes, lists, research pieces, diagrams) focus on immediate experience to understand the vibrancy of the senses on memory and feelings.

"This emotionally resonant dystopian succeeds at turning the end of the world into a new beginning." - Publishers Weekly A love story set in a bad dream about America, concerning permanent debt, secret police, making dinner, and unpaid invoices—right up until the end of the world. It’s Brooklyn. It’s winter. It’s so cold outside you could execute billionaires in the street about it. Sam lives with Eleanor and they are in love. He has three or four outstanding invoices that would each cover rent for a month. At some point, the President is going to make some absolutely wild announcements that will only end in doom. In a surreal, funny, and heart-breaking version of reality, Sasha Fletcher’s highly anticipated first novel occupies that rare register that manages to speak to an increasingly incomprehensible world. Through scenes that poetically transform the mundane into the sublime and the absurd into the tragic, Be Here to Love Me at the End of the World is about the exquisite beauty of being in love in a world that is falling apart.

This lavish book marks the 40th anniversary of Barthes' renowned work Camera Lucida in 2020. Artist Odette England invited 199 of the world's best-known contemporary photographers, writers, critics, curators and art historians to contribute an image or text that reflects on Barthes' unpublished snapshot of his mother, aged five. This snapshot is known as the winter garden photograph. Barthes discusses it at length in Camera Lucida, but never reproduces it. It is one of the most famous unseen photographs in the world.

Churchill's Bomb - from the author of the Costa award-winning biography The Strangest Man - reveals a new aspect of Winston Churchill's life, so far completely neglected by historians: his relations with his nuclear scientists, and his management of Britain's policy on atomic weapons. Churchill was the only prominent politician to foresee the nuclear age and he played a leading role in the development of the Bomb during World War II. He became the first British Prime Minister with access to these weapons, and left office following desperate attempts during the Cold War to end the arms race. Graham Farmelo traces the beginnings of Churchill's association with nuclear weapons to his unlikely friendship with H. G. Wells, who coined the term 'atomic bombs'. In the 1930s, when Ernest Rutherford and his brilliant followers, such as Chadwick and Cockcroft, gave Britain the lead in nuclear research, Churchill wrote several widely read newspaper articles on the huge implications of their work. British physicists, in 1940, first showed that the Bomb was a practical possibility. But Churchill, closely advised by his favourite scientist, the controversial Frederick Lindemann, allowed leadership to pass to the US, where the Manhattan Project made the Bomb a terrible reality. British physicists played only a minor role in this vast enterprise, while Churchill ignored warnings from the scientist Niels Bohr that the Anglo-American policy would lead to a post-war arms race. After the war, the Americans reneged on personal agreements between Roosevelt and Churchill to share research. Clement Attlee, in a fateful decision, ordered the building of a British Bomb to maintain the country's place among the great powers. Churchill inherited it and ended his political career obsessed with the threat of thermonuclear war. Churchill's Bomb is an original and controversial book, full of political and scientific personalities and intrigues, which reveals a little-known side of Britain's great war-leader.

Part memoir, part reportage, Louder Than Bombs is a story of music from the front lines. Ed Vulliamy, a decorated war correspondent and journalist, offers a testimony of his lifelong passion for music. Vulliamy’s reporting has taken him around the world to cover the Bosnian war, the fall of the Berlin Wall and collapse of Communism, the Iraq wars of 1991 and 2003 onward, narco violence in Mexico, and more, places where he confronted stories of violence, suffering, and injustice. Through it all, Vulliamy has turned to music not only as a reprieve but also as a means to understand and express the complicated emotions that follow. Describing the artists, songs, and concerts that most influenced him, Vulliamy brings together the two largest threads of his life—music and war. Louder Than Bombs covers some of the most important musical milestones of the past fifty years, from Jimi Hendrix playing “Machine Gun” at the Isle of Wight Festival in 1970 to the Bataclan in Paris under siege in 2015. Vulliamy was present for many of these historic moments, and with him as our guide, we see them afresh, along the way meeting musicians like B. B. King, Graham Nash, Patti Smith, Daniel Barenboim, Gustavo Dudamel, and Bob Dylan. Vulliamy peppers the book with short vignettes—which he dubs 7" singles—recounting some of his happiest memories from a lifetime with music. Whether he’s working as an extra in the Vienna State Opera’s production of Aida, buying blues records in Chicago, or drinking coffee with Joan Baez, music is never far from his mind. As Vulliamy discovers, when horror is unspeakable, when words seem to fail us, we can turn to music for expression and comfort, or for rage and pain. Poignant and sensitively told, Louder Than Bombs is an unforgettable record of a life bursting with music.