Presents two series, One Hundred Tales of Japan and China (Wakan hyaku monogatari) (1865) and New Forms of 36 Strange Things (Shinken sanjurokkaisen) (1889–92).

Taisō Yoshitoshi (1839-1892) was fascinated by the supernatural, and some of his best work concerns ghosts, monsters, and charming animal transmutations. Yoshitoshi's strange tales presents two series (with full page illustrations) that focus on his depictions of the weird and magical world of the transformed. The first series is One Hundred Tales of Japan and China (Wakan hyaku monogatari, 1865) and it is based on a game in which people told short scary ghost tales in a darkened room, extinguishing a candle as each tale ended. New Forms of Thirty-six Strange Things (Shinken sanjūrokkaisen) of 1889-92 illustrates stories from Japan's rich heritage of legends in more serene and objective ways.

Prepare to be spooked by these chilling Japanese short stories! Strange Tales from Japan presents 99 spine-tingling tales of ghosts, yokai, demons, shapeshifters and trickster animals who inhabit remote reaches of the Japanese countryside. 32 pages of traditional full-color images of these creatures, who have inhabited the Japanese imagination for centuries, bring the stories to life. The captivating tales in this volume include: The Vengeance of Oiwa--The terrifying spirit of a woman murdered by her husband who seeks retribution from beyond the grave The Curse of Okiku--A servant girl is murdered by her master and curses his family, with gruesome results The Snow Woman--A man is saved by a mysterious woman who swears him to secrecy Tales of the Kappa--Strange human-like sprites with green, scaly skin who live in water and are known to pull children and animals to their deaths And many, many more! Renowned translator William Scott Wilson explains the role these stories play in local Japanese culture and folklore, and their importance to understanding the Japanese psyche. Readers will learn which particular region, city, mountain or temple the stories originate from--in case you're brave enough to visit these haunts yourself!

Tsukioka Yoshitoshi, a student of ukiyo-e master Utagawa Kuniyoshi, showed a predilection towards two types of subject in his early work: exceptionally bloody musha-e ("warror prints"), and supernatural images of demons and ghosts. Yoshitoshi maintained an interest in depicting the haunted realm of Japanese myth right up until his last major series, 36 Ghosts, in 1889 (two years before his death). Like all Yoshitoshi's art, these prints are now considered to be the work of ukiyo-e's last master practitioner. DEMONSe ^FROMe ^THEe ^HAUNTEDe ^WORLD, edited by Jack Hunter (who also edited the ground-breaking extreme ukiyo-e anthology "Dream Spectres"), collects and considers over 150 of Yoshitoshi's most striking and disturbing images of spectres, monsters and demons -- including the series 100 Ghost Stories, Heroic Beauty, and 36 Ghosts in their entirety -- presented in large-format and full-colour throughout. Third in a dynamic new series presenting the cutting edge of 19th century Japanese art.

This book aims to provide an account of both what and how onomatopoeia communicate by applying ideas from the relevance theoretic framework of utterance interpretation. It focuses on two main aspects of the topic: the contribution that onomatopoeia make to communication and the nature of multimodal communication. This is applied in three domains (food discourse, visual culture in Asia and translation) in the final sections of the book. It will be of interest to scholars working in the fields of pragmatics, semantics, cognitive linguistics, stylistics, philosophy of language, literature, translation, and Asian studies.

This “ambitious, supernatural coming-of-age story” (The LA Times) is a sweeping tale of ghosts in the modern world, and one woman's struggle to create her own destiny. There are ghosts on the Black Isle. Ghosts that no one can see. No one...except Cassandra. Uprooted from Shanghai with her father and twin brother, young Cassandra finds the Black Isle's bustling, immigrant-filled seaport, swampy jungle, and grand rubber plantations a sharp contrast to the city of her childhood. And she soon makes another discovery: the Black Isle is swarming with ghosts. Haunted and lonely, Cassandra at first tries to ignore her ability to see the restless apparitions that drift down the street and crouch in cold corners at school. Yet despite her struggles with these spirits, Cassandra comes to love her troubled new home. And soon, she attracts the notice of a dangerously charismatic man. Even as she becomes a fearless young woman, the Isle's dark forces won't let her go. War is looming, and Cassandra wonders if her unique gift might be her beloved island's only chance for salvation . . . Taking readers from the 1920s, through the Japanese occupation during WWII, to the Isle's radical transformation into a gleaming cosmopolitan city, The Black Isle is a sweeping epic--a deeply imagined, fiercely original tale from a vibrant new voice in fiction.

Just because the art is beautiful doesn't mean the artist was a saint . . . Scoundrels, Cads, and Other Great Artists examines the lives of nine great artists who were less than exemplary human beings in their lives outside of their art. It explores the question, “Why do we like magnificent art from artists who were awful human beings?” For example, the great Baroque painter, Caravaggio, who developed the chiaroscuro style of painting, was in constant trouble with the law, even having killed a man in a duel. Frederick Remington, the great painter of the American West, was an incredible racist and bigot. His evocative paintings of Native Americans on the trail on horseback give no hint of Remington’s enmity toward them and other ethnic groups in America. Jackson Pollock? His irascibility and petulance were compounded by a lifelong battle with alcoholism, ultimately leading to a fatal automobile accident. Whistler and Courbet were philanderers and libertines. Scoundrels introduces people to great art by showing the more salacious side of the personal lives of great artists over time. This book not only tells the stories of a dozen artists, but explores how to look at art and the separation between art and artist. This lively narrative is enhanced by over 100 full-color reproductions of great paintings and details from them.