In different stages in the history of South Asian religions, the term yoginī has been used in various contexts to designate various things: a female adept of yoga, a female tantric practitioner, a sorceress, a woman dedicated to a deity, or a certain category of female deities. This book brings together recent interdisciplinary perspectives on the medieval South Asian cults of the Yoginis, such as textual-philological, historical, art historical, indological, anthropological, ritual and terminological. The book discusses the medieval yoginī cult, as illustrated in early Śaiva tantric texts, and their representations in South Asian temple iconography. It looks at the roles and hypostases of yoginīs in contemporary religious traditions, as well as the transformations of yoginī-related ritual practices. In addition, this book systematizes the multiple meanings, and proposes definitions of the concept and models for integrating the semantic fields of ‘yoginī.’ Highlighting the importance of research from complementary disciplines for the exploration of complex themes in South Asian studies, this book is of interest to scholars of South Asian Studies and Religious Studies.

In different stages in the history of South Asian religions, the term yoginī has been used in various contexts to designate various things: a female adept of yoga, a female tantric practitioner, a sorceress, a woman dedicated to a deity, or a certain category of female deities. This book brings together recent interdisciplinary perspectives on the medieval South Asian cults of the Yoginis, such as textual-philological, historical, art historical, indological, anthropological, ritual and terminological. The book discusses the medieval yoginī cult, as illustrated in early Śaiva tantric texts, and their representations in South Asian temple iconography. It looks at the roles and hypostases of yoginīs in contemporary religious traditions, as well as the transformations of yoginī-related ritual practices. In addition, this book systematizes the multiple meanings, and proposes definitions of the concept and models for integrating the semantic fields of 'yoginī.' Highlighting the importance of research from complementary disciplines for the exploration of complex themes in South Asian studies, this book is of interest to scholars of South Asian Studies and Religious Studies.

For those who wonder what relation actual Tantric practices bear to the "Tantric sex" currently being marketed so successfully in the West, David Gordon White has a simple answer: there is none. Sweeping away centuries of misunderstandings and misrepresentations, White returns to original texts, images, and ritual practices to reconstruct the history of South Asian Tantra from the medieval period to the present day. Kiss of the Yogini focuses on what White identifies as the sole truly distinctive feature of South Asian Tantra: sexualized ritual practices, especially as expressed in the medieval Kaula rites. Such practices centered on the exchange of powerful, transformative sexual fluids between male practitioners and wild female bird and animal spirits known as Yoginis. It was only by "drinking" the sexual fluids of the Yoginis that men could enter the family of the supreme godhead and thereby obtain supernatural powers and transform themselves into gods. By focusing on sexual rituals, White resituates South Asian Tantra, in its precolonial form, at the center of religious, social, and political life, arguing that Tantra was the mainstream, and that in many ways it continues to influence contemporary Hinduism, even if reformist misunderstandings relegate it to a marginal position. Kiss of the Yogini contains White's own translations from over a dozen Tantras that have never before been translated into any European language. It will prove to be the definitive work for persons seeking to understand Tantra and the crucial role it has played in South Asian history, society, culture, and religion.

Since the 1960s, yoga has become a billion-dollar industry in the West, attracting housewives and hipsters, New Agers and the old-aged. But our modern conception of yoga derives much from nineteenth-century European spirituality, and the true story of yoga’s origins in South Asia is far richer, stranger, and more entertaining than most of us realize. To uncover this history, David Gordon White focuses on yoga’s practitioners. Combing through millennia of South Asia’s vast and diverse literature, he discovers that yogis are usually portrayed as wonder-workers or sorcerers who use their dangerous supernatural abilities—which can include raising the dead, possession, and levitation—to acquire power, wealth, and sexual gratification. As White shows, even those yogis who aren’t downright villainous bear little resemblance to Western assumptions about them. At turns rollicking and sophisticated, Sinister Yogis tears down the image of yogis as detached, contemplative teachers, finally placing them in their proper context.

Scattered Goddesses: Travels with the Yoginis is a book about the lost home, the new homes, and the journeys in between of nineteen sculptures that now reside in at least twelve separate museums across North America, Western Europe, and South India. After piecing together what these goddesses and their former companions might have meant when they were together in tenth-century South India, Kaimal traces them into the hands of private collectors and public museums as these objects became more thoroughly separated from each other with each transaction. In the process of export and purchase, and in the hostile as well as loving receptions these sculptures received within South Asia, she fi nds that collecting and scattering were the same activity experienced from different points of view.

The Sixty-Four Yoginis are the lesser known forms of the Goddess Shakti in art and religion. Variously portrayed as malevolent goddesses, deities of tantric rituals, and yoginis of flesh and blood, they are seen as the sixty-four forms of the goddess and the sixty four embraces of Shiva and Shakti. Abandoned temples, stretching from Banda in Uttar Pradesh to Bolangir in Odisha, were once witness to the evolution of the mysterious cult of these goddesses. Shrouded in secrecy, knowledge about them is, till date, closely guarded by the tantric Acaryas. Sixty-Four Yoginis: Cult, Icons and Goddesses deciphers the complex forms of the Yoginis by engaging with the subject historically, aesthetically, theologically and anthropologically; identifies the Yoginis of the temple, of the Puranas, of the tantric texts, of folklore and finally of the Yogini Kaula; and examines the different layers of the complex phenomena based on rigorous fieldwork in the hitherto untraversed terrains where the Yoginis have their abode. The book offers valuable insights for researchers in the fields of religion, myth, culture, history and gender studies. The text of this handsomely produced volume is supplemented with a rich collection of photographs.

"Published by the Freer Gallery of Art and the Arthur M. Sackler Gallery on the occasion of the exhibition Yoga: The Art of Transformation, October 19, 2013 - January 26, 2014. Organized by the Arthur M. Sackler Gallery, the exhibition travels to the Asian Art Museum of San Francisco, February 22-May 18, 2014, and the Cleveland Museum of Art, June 22-September 7, 2014."