In an innovative cultural history of Argentine movies and radio in the decades before Peronism, Matthew B. Karush demonstrates that competition with jazz and Hollywood cinema shaped Argentina's domestic cultural production in crucial ways, as Argentine producers tried to elevate their offerings to appeal to consumers seduced by North American modernity. At the same time, the transnational marketplace encouraged these producers to compete by marketing "authentic" Argentine culture. Domestic filmmakers, radio and recording entrepreneurs, lyricists, musicians, actors, and screenwriters borrowed heavily from a rich tradition of popular melodrama. Although the resulting mass culture trafficked in conformism and consumerist titillation, it also disseminated versions of national identity that celebrated the virtue and dignity of the poor, while denigrating the wealthy as greedy and mean-spirited. This anti-elitism has been overlooked by historians, who have depicted radio and cinema as instruments of social cohesion and middle-class formation. Analyzing tango and folk songs, film comedies and dramas, radio soap operas, and other genres, Karush argues that the Argentine culture industries generated polarizing images and narratives that provided much of the discursive raw material from which Juan and Eva Pern built their mass movement.

Yogaratnakara the book of mid seventeenth century, written by yet unknown author, but extremely well known in the Ayurvedic world, is like a sun, throwing light on all aspects of ayurveda not seen in any other available book on ayurveda, however, since the book is compiled in the period when surgery was almost not being done by ayurvedist thus the references of subject matter related to salyavijnana (surgery) are scanty; knowledge of sarira (anotomy) being more important to surgeons also finds itself concised in few verse only. It is probably single available book which describes in detail ?astavidha pariksa? i.e. examination of pulse, urine and stool.

The Yoga System was formulated by Patanjali. His sutras, the formulas or equations, are complex to comprehend without a thorough knowledge of Sanskrit language. Since the sutras are written in a kind of shorthand manner, they require a sound understanding of the yoga philosophy and the vedic culture in order to decipher each word of the sutra clearly. Prof. Ratnakar Narale has analyzed each word in basic terms and English transliterated it to make the learning of the Yoga Sutras of Patanjali easy. Dr. Narale has organized the entire subject under 90 unique subheadings and has formulated all the definitions and indices to the make it a valuable reference guide.

Concept of Bhakti according to Chaitanya (Sect) in Vaishnavism.

The Medical Acts and Laws (Reference book for B.A.M.S. and M.D. Ayurveda students)

Note that due to the limitations of some ereading devices not all diacritical marks can be shown. BKS Iyengar’s translation and commentary on these ancient yoga sutras has been described as the “bible” of yoga. This edition contains an introduction by BKS Iyengar, as well as a foreword by Godfrey Devereux, author of Dynamic Yoga.