"In the follow-up to ... A Stolen Life, [kidnapping survivor] Jaycee Dugard tells the story of her first experiences after years in captivity: the joys that accompanied her newfound freedom and the challenges of adjusting to life on her own"--Provided by publisher.

Performance Constellations maps transnational protest movements and the dynamics of networked expressive behavior in the streets and online, as people struggle to be heard and effect long-term social justice. Its case studies explore collective political action in Latin America, including the Zapatistas in the mid-’90s, protests during the 2001 Argentine economic crisis, the 2011 Chilean student movement, the 2014–2015 mobilizations for the disappeared Ayotzinapa students, and the 2018 transnational reproductive rights movement. The book analyzes uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative. While other studies have focused either on digital activism or on street protests, Performance Constellations shows that they are in fact integrally entwined. Zooming in on protest movements and art-activism in Mexico, Argentina, and Chile, and putting contemporary insurgent actions in dialogue with their historical precedents, the book demonstrates how, even in moments of extreme duress, social actors in Latin America have taken up public and virtual space to intervene politically and to contest dominant powers.

"Maybe I can help!" exclaimed Arthur. At least he hopes he can. But how? What does this forgetful elephant need? Arthur doesn't know, but he's determined to find out as he and the elephant share a playful and colorful day. Arthur and the Forgetful Elephant explores memory loss from the perspective of both those who forget and those around them. With spare writing and poignant art, this story reminds us that compassion and togetherness can make even elephant-sized problems seem a little smaller.

In this volume, Benjamin Kinsella offers a meticulous account of six Mexican families in New Jersey, identifying how birth order influences the different dimensions of heritage language maintenance.

Faso, ¿tenés? is volume 7 of the series On Being, and the second bilingual book of the series. It spans year two of the protagonist Ana’s adventures in South America and her trip back home to the States. On Being is a psychological, metaphysical, self-referential, astrological, diary case history, serving as a qualitative, longitudinal research project investigating what it means to be. Basically, I, J. Guzmán (as the protagonist Ana) psychoanalyze myself throughout Time, document meticulously everything that happens to me and how I feel about it, and connect it to astrological theories and timing techniques. If astrology truly works, if it can be considered a legitimate system with rules and internal coherence, you’d have to see it working in relation to somebody’s real-life, autobiographical narrative. I named this volume Faso, ¿tenés? porque por el año entero estaba buscando faso, y la mayoría del tiempo solo pude encontrar el paraguayo de mierda que me daba un dolor de cabeza. Más que una persona me dijo que la gente hace pis en las plantas en la creación del paraguayo, e incluso agregan cosas aún peores. I was so immersed in that almost-drug-addiction vibe, where all you can think about is how much you want to smoke. I wouldn’t necessarily consider an addiction to marijuana a legitimate addiction, at least in my own case, sino un deseo fuerte de fumar, una fijación intensa. ¡Quería quemar tanto! Quería estar volada para poder analizar mi conciencia de forma diferente, pero es re difícil encontrar flores reales en sudamérica, a menos que conozcas a las personas correctas. It was all I could think about. ¡Ya! Eso es todo. Now you can open the book.