When Tommy, Chuckie, and friends travel to pirate times, they try to outwit Blackbeard, who has mistaken Angelica for a princess.

One of the most distinguished lyric-writers of his time, Ira Gershwin wrote for his brother George as well as Jerome Kern, Kurt Weill, Harold Arlen and others. Limelight presents a selection of stage and screen lyrics written for sundry situations and now arranged in arbitrary categories, to which have been added many informative annotations and disquistions on their why and wherefore, their whom-for, their how, and matters associative. "Gershwin's comments, witty and irreverent, and his anecdotes about the making of many favorites, are invariably interesting and frequently surprising." Chicago Tribune

The man behind some of the most memorable lyrics in the Great American Songbook steps from behind his brother’s shadow. The first lyricist to win the Pulitzer Prize, Ira Gershwin (1896–1983) has been hailed as one of the masters of the Great American Songbook, a period which covers songs written largely for Broadway and Hollywood from the 1920s to the 1950s. Now, in the first full-length biography devoted to his life, Michael Owen brings Ira out at last from the long shadow cast by his younger and more famous brother George. Drawing on extensive archival sources and often using Ira’s own words, Owen has crafted a rich portrait of the modest man who penned the words to many of America’s best-loved songs, like “Fascinating Rhythm,” “Embraceable You,” and “They Can’t Take That Away from Me.” These fruits of Ira’s lyric genius sprang from the simplest of seeds: a hand-drawn weekly created for a cousin, an amateur newspaper co-written with friend and future lyricist Yip Harburg, columns in the school papers at Townsend Harris High School and, later, City College of New York. The details of his early literary efforts demonstrate both his developing ambition and the early signs of his talent. But while the road to becoming a successful lyricist was neither short nor smooth, it did lead Ira to the greatest creative partnership of his life. George and Ira Gershwin collaborated on a string of hit Broadway shows in the 1920s and 1930s that resulted in popular and financial success and spawned a long string of songs that have become classics. Owen offers fascinating glimpses of their creative process, drawing on Ira’s diaries and other contemporary sources, as well as the close relationship between the two brothers. Hollywood soon beckons and the brothers head west to California to work in the movie business. Greater fame and fortune seem right around the corner. George Gershwin died in a Los Angeles hospital in July 1937. He was only 38 years old. His death marked a stark dividing line in Ira’s life, and from that point on much of his time and energy was devoted to the management of his brother’s estate and the care of his legacy. Accustomed to living in his brother’s shadow, it now threatened to overwhelm him. He worked to balance all the administrative tasks with a new series of collaborations with composers like Kurt Weill, Jerome Kern, Harry Warren, and Harold Arlen. Ira’s last Broadway work was in 1946, and several films and a book project—a collection of his lyrics with the stories behind them—occupied his later years along with the ongoing management of George’s affairs. Ira Gershwin’s work with George left an enduring mark on American culture, as recognized by the Library of Congress in 2007 when it established the Gershwin Prize for Popular Song, which has been awarded to artists like Paul Simon, Carole King, Tony Bennett, Paul McCartney, and Elton John. In Ira Gershwin: A Life in Words, Michael Owen brings the publicity shy lyricist into the spotlight he deserves.