Postcards are used to tell the story of Jewish life in Poland and Russia in the early 20th century.

"Shandler takes a wide-ranging look at Yiddish culture, including language learning, literary translation, performance, and material culture. He examines children's books, board games, summer camps, klezmer music, cultural festivals, language clubs, Web sites, cartoons, and collectibles - all touchstones of the meaning of Yiddish as it enters its second millennium. Rather than mourn the language's demise, Adventures in Yiddishland calls for taking an expansive approach to the possibilities for the future of Yiddish. Shandler's conceptualization of postvernacularity sheds important new light on contemporary Jewish culture generally and offers insights into theorizing the relation between language and culture."--BOOK JACKET.

A renowned scholar looks back on his life and the life of his mother, tracing the Yiddish experience through major historical events of the last century. A rich, sweeping memoir by David G. Roskies, Yiddishlands proceeds from the premise that Yiddish culture is spread out among many different people and geographic areas and transmitted through story, song, study, and the family. Roskies leads readers through Yiddishlands old and new by revisiting his personal and professional experiences and retelling his remarkable family saga in a series of lively, irreverent, and interwoven stories. Beginning with a flashback to his grandmother’s storybook wedding in 1878, Yiddishlands brings to life the major debates, struggles, and triumphs of the modern Yiddish experience, and provides readers with memorable portraits of its great writers, cultural leaders, and educators. Roskies’s story centers around Vilna, Lithuania, where his mother, Masha, was born in 1906 and where her mother, Fradl Matz, ran the legendary Matz Press, a publishing house that distributed prayer books, Bibles, and popular Yiddish literature. After falling in love with Vilna’s cabaret culture, an older man, and finally a fellow student with elbow patches on his jacket, Masha and her young family are forced to flee Europe for Montreal, via Lisbon and New York. It is in Montreal that Roskies, Masha’s youngest child, comes of age, entranced by the larger-than-life stories of his mother and the writers, artists, and performers of her social circle. Roskies recalls his own intellectual odyssey as a Yiddish scholar; his life in the original Havurah religious commune in Somerville, Massachusetts, in the 1970s; his struggle with the notion of aliyah while studying in Israel; his visit to Russia at the height of the Soviet Jewry movement; and his confrontation with his parents’ memories in a bittersweet pilgrimage to Poland. Along the way, readers of Yiddishlands meet such prominent figures as Isaac Bashevis Singer, Melekh Ravitch, Itsik Manger, Avrom Sutzkever, Esther Markish, and Rachel Korn. With Yiddishlands, readers take a whirlwind tour of modern Yiddish culture, from its cabarets and literary salons to its fierce ideological rivalries and colorful personalities. Roskies’s memoir will be essential reading for students of the recent Jewish past and of the living Yiddish present.

According to traditional narratives of assimilation, in the bargain made for an American identity, Jews freely surrendered Yiddish language and culture. Or did they? Recovering "Yiddishland" seeks to “return” readers to a threshold where Americanization also meant ambivalence and resistance. It reconstructs “Yiddishland” as a cultural space produced by Yiddish immigrant writers from the 1890s through the 1930s, largely within the sphere of New York. Rejecting conventional literary history, the book spotlights “threshold texts” in the unjustly forgotten literary project of these writers—texts that reveal unexpected and illuminating critiques of Americanization. Merle Lyn Bachman takes a fresh look at Abraham Cahan’s Yekl and Anzia Yezierska’s Hungry Hearts, tracing in them a re-inscription of the Yiddish world that various characters seem to be committed to leaving behind. She also translates for the first time Yiddish poems featuring African-Americans that reflect the writers’ confrontation with their passage, as Jews, into “white” identities. Finally, Bachman discusses the modernist poet Mikhl Likht, whose simultaneous embrace of American literature and resistance to assimilating into English marked him as the supreme “threshold” poet. Conscious of the risks of any postmodern—“post-assimilation”—attempt to recover the past, Bachman invents the figure of “the Yiddish student,” whose comments can reflect—and keep in check—the nostalgia and naivete of the returnee to Yiddish.

Winner of the 2013 New York Book Show Award in Scholarly/Professional Cover Design Jewish Radicals explores the intertwined histories of Jews and the American Left through a rich variety of primary documents. Written in English and Yiddish, these documents reflect the entire spectrum of radical opinion, from anarchism to social democracy, Communism to socialist-Zionism. Rank-and-file activists, organizational leaders, intellectuals, and commentators, from within the Jewish community and beyond, all have their say. Their stories crisscross the Atlantic, spanning from the United States to Europe and British-ruled Palestine. The documents illuminate in fascinating detail the efforts of large numbers of Jews to refashion themselves as they confronted major problems of the twentieth century: poverty, anti-semitism, the meaning of American national identity, war, and totalitarianism. In this comprehensive sourcebook, the story of Jewish radicals over seven decades is told for the first time in their own words.

This book is the first history of YIVO, the original center for Yiddish scholarship. Founded by a group of Eastern European intellectuals after World War I, YIVO became both the apex of secular Yiddish culture and the premier institution of Diaspora Nationalism, which fought for Jewish rights throughout the world at a time of rising anti-Semitism. From its headquarters in Vilna, Lithuania, YIVO tried to balance scholarly objectivity with its commitment to the Jewish masses. Using newly recovered documents that were believed destroyed by Hitler and Stalin, Cecile Esther Kuznitz tells for the first time the compelling story of how these scholars built a world-renowned institution despite dire poverty and anti-Semitism. She raises new questions about the relationship between Jewish cultural and political work, and analyzes how nationalism arises outside of state power.

A “fascinating and enlightening” collection of comics and writings that explore the Yiddish language and the Jewish experience (The Miami Herald). We hear words like nosh, schlep, and schmutz, but how did they come to pepper American English? In Yiddishkeit, Harvey Pekar and Paul Buhle trace the far-reaching influences of Yiddish from medieval Europe to the tenements of New York’s Lower East Side. This comics anthology contains original stories by such notable writers and artists as Barry Deutsch, Peter Kuper, Spain Rodriguez, and Sharon Rudahl. Through illustrations, comics art, and a full-length play, four major themes are explored: culture, performance, assimilation, and the revival of the language. “The book is about what Neal Gabler in his introduction labels ‘Jewish sensibility.’...he writes: ‘You really can’t define Yiddishkeit neatly in words or pictures. You sort of have to feel it by wading into it.’ The book does this with gusto.” —TheNew York Times “As colorful, bawdy, and charming as the culture it seeks to represent.” —Print magazine “Brimming with the charm and flavor of its subject...a genuinely compelling, scholarly comics experience.” —Publishers Weekly “A book that truly informs about Jewish culture and, in the process, challenges readers to pick apart their own vocabulary.” —Chicago Tribune “A postvernacular tour de force.” —The Forward “With a loving eye Pekar and Buhle extract moments and personalities from Yiddish history.” —Hadassah “Gorgeous comix-style portraits of Yiddish writers.”––Tablet “Yiddishkeit has managed to survive, if just barely...because [it] is an essential part of both the Jewish and the human experience.” —Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, from his introduction “A scrumptious smorgasbord of comics, essays, and illustrations...concentrated tastes, with historical context, of Yiddish theater, literature, characters and culture.” —Heeb magazine