The subversive songs of Tom Lehrer, the sardonic piano-wielding fugitive from Harvard, have corrupted generations of Americans since he first began recording and performing in the 1950s. His uniquely depraved wit has been forced again on an unsuspecting public' via Tomfoolery, the stage revue based on his ever-trenchant observation of the American scene. This new songbook, with old favorites unavailable for years as well as never-published songs, is the most comprehensive ever assembled. It contains the words, tunes, piano accompaniments, and guitar chords for these thirty-four classics: The Irish Ballad Fight Fiercely, Harvard! Be Prepared The Old Dope Peddler The Wild West Is Where I Want to Be I Wanna Go Back to Dixie Lobachevsky The Hunting Song I Hold Your Hand in Mine My Home Town L-Y When You Are Old and Gray The Wiener Schnitzel Waltz Poisoning Pigeons in the Park A Christmas Carol Bright College Days In Old Mexico She's My Girl The Elements The Masochism Tango National Brotherhood Week MLF Lullaby The Folk Song Army Smut Send the Marines New Math Pollution So Long, Mom Who's Next? Wemher Von Braun We Will All Go Together When We Go I Got It from Agnes Silent E The Vatican Rag

A musical revue based on the songs of American satirist Tom Lehrer. The revue features 28 of Lehrer's satirical songs that were written in the 1950s and 1960s. Stage directions suggest each actor use their own name and wait onstage in a bar area while the others perform.

This Expanded Edition features even more insights on “Weird Al” Yankovic, including his activities during a tumultuous 2020 and 2021, diving deeper into the world of the iconic man who has made a career out of making us laugh. Funny music is often dismissed as light and irrelevant, but Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. The Expanded Edition celebrates Yankovic’s vast influence on musicians, comedians, and performing artists as well as what the man has meant to fans—in a time of uncertainty, Yankovic has served as a much-needed bright spot for many. From his love of accordions and Hawaiian print shirts to his popular puns and trademark dance moves, Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s over forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.

Depicted as braggart, brute, and bore in The Great Gatsby, Tom Buchanan has gotten a bad rap and means to correct the record. That weak-kneed, simpering cousin of his wife's, with his prattling about some lost idealized American individualism and rectitude, was not only a fool and a liar, but worse: a failed bond salesman. Pathetic. But by 1924 Tom has bigger problems than the pathos of the summer of '22. First, there's Aunt Gertrude, who has assumed control of the Buchanan fortune. Second, what with Daisy getting jowly and the maids indiscreet, there's little tranquillity at home. Third, a revolution is brewing in Nicaragua that's threatening to ensnare the family investments. So when Tom is dispatched to maneuver among Nicaragua's international corporate intrigues, machine-gun-toting rival political parties, and competing American intelligence agencies, he spies his chance. A rollicking, outrageous, and altogether brilliant perversion of known facts, Banana Republican sends the sexist, racist, elitist Buchanan careening through America's brilliantly mismanaged intervention in Nicaragua in the early twentieth century. Eric Rauchway bends history to Buchanan's memoir as Tom blunders, shoots, and screws his way through the historical record and makes the case that greed and amorality have always been at the heart of the American dream.

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