90125, released towards the end of 1983, was Yes’ best-selling album. A combination of commercial necessity and luck saw an album by a new band called Cinema – featuring Yes stalwarts Chris Squire, Alan White and Tony Kaye alongside talented multi-instrumentalist Trevor Rabin – become Yes, following the last-minute recruitment of vocalist Jon Anderson. A US number one hit single, ‘Owner Of A Lonely Heart,’ led to a triple platinum record and a massive world tour, giving this band a new lease of life into the 1980s. Featuring new interviews with Jon Anderson, Trevor Rabin, Tony Kaye, current Yes bassist Billy Sherwood and Atlantic executive Phil Carson, this book traces the story of the album from its roots in Rabin’s garage in 1981, via Trevor Horn’s turbulent production, up to the end of the world tour in early 1985. 90125 is reviewed in full, and the book also includes a detailed look at the somewhat complex and contrived process that created it, as well as the videos that promoted it. The book also discusses the album’s legacy and the remarkable afterlife of its innovative number-one single. The 90125 story is possibly the most astonishing in this legendary group’s nearly six-decade history. This is how it happened. Stephen Lambe is a publisher, festival promoter and freelance writer. A former chairman of The Classic Rock Society, he now owns Sonicbond Publishing. His piece about 90125 for Prog magazine was the inspiration for this, his eleventh book. The other ten include two other books about Yes, and the best-selling Citizens Of Hope And Glory – The Story Of Progressive Rock for Amberley in 2011. He has also written several volumes of local history. He lives in Tewkesbury, Gloucestershire, UK.

This is a new edition, bringing the Yes story up to date for 2020 and specifically including a brand new section on the 2019 album ‘From A Page’. In Yes On Track, Stephen Lambe provides a thorough assessment of the career and output of one of the most important Progressive bands of all time. Lambe authoritatively examines each of the band’s twenty-one studio albums, chronicling the many high points and the rarer missteps, as well as dissecting the changes in band dynamics, which led to some eclectic - but always interesting - music over fifty years of recording. Lambe also discusses the band’s many live recordings and provides a brief guide to the band’s performances on DVD and video. Featuring coverage of the 50th anniversary celebrations, this is a comprehensive guide to the band’s music and should be essential reading for the band’s many devoted fans. Stephen Lambe is an author, publisher and record label owner. He is an acknowledged expert on progressive rock, having written the best-selling Citizens of Hope and Glory - the history of Progressive Rock in 2011 - and has discussed the subject on BBC Radio. Lambe has co-hosted the Summer's End Progressive Rock Festival since 2005, and is a former Chairman of the Classic Rock Society. His first live concert - of many hundreds - was Yes at Wembley Arena in 1978.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Over the past two centuries Western culture has largely valorized a particular kind of “good” music—highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original—and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.

Yes in Their Own Words

Each of the essays in this serious study and analysis of rock music is written by one of musicology's best young scholars. The essays cover bands like The Grateful Dead, Yes, K.D. Lang, Jimi Hendrix and The Beach Boys.