Who lived at the P.O. in China Grove, Mississippi? What does NASCAR stand for? Where is the Redneck Riviera? When is Martin Luther King Jr.'s birthday? What are Yellow Mama and Old Sparky? Entertaining, fun, and educational, this quiz book covers every aspect of southern culture from alligators to melungeons to zydeco. More than 800 questions--most drawn from the Encyclopedia of Southern Culture--cover literature, music, entertainment, history, politics, the law, sports and recreation, science, medicine, business, industry, and religion. Test your southern I.Q.! Take a copy to parties and on road trips. Use it to settle supper-table squabbles. It's a guaranteed good time. Published in collaboration with the Center for the Study of Southern Culture at the University of Mississippi Answers to questions: Sister, who tells her story in Eudora Welty's 'Why I Live at the P.O.' National Association for Stock Car Auto Racing, Inc. The Florida Panhandle January 15, 1929 Electric chairs in Alabama and Florida, respectively. Originally published in 1996. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Larry Brown (1951–2004) was unique among writers who started their careers in the late twentieth century. Unlike most of them—his friends Clyde Edgerton, Jill McCorkle, Rick Bass, Kaye Gibbons, among others—he was neither a product of a writing program, nor did he teach at one. In fact, he did not even attend college. His innate talent, his immersion in the life of north Mississippi, and his determination led him to national success. Drawing on excerpts from numerous letters and material from interviews with family members and friends, Larry Brown: A Writer's Life is the first biography of a landmark southern writer. Jean W. Cash explores the cultural milieu of Oxford, Mississippi, and the writers who influenced Brown, including William Faulkner, Flannery O'Connor, Harry Crews, and Cormac McCarthy. She covers Brown's history in Mississippi, the troubled family in which he grew up, and his boyhood in Tula and Yocona, Mississippi, and in Memphis, Tennessee. She relates stories from Brown's time in the Marines, his early married life—which included sixteen years as an Oxford fireman—and what he called his “apprenticeship” period, the eight years during which he was teaching himself to write publishable fiction. The book examines Brown's years as a writer: the stories and novels he wrote, his struggles to acclimate himself to the fame his writing brought him, and his many trips outside Yocona, where he spent the last thirty years of his life. The book concludes with a discussion of his posthumous fame, including the publication of A Miracle of Catfish, the novel he had nearly completed just before his death. Brown's cadre of fans will relish this comprehensive portrait of the man and his work.

American Landscapes: Meditations on Art and Literature in a Changing World is a major contemporary survey of landscapes in art and literature of the United States, especially the American South. Inspired by William Dunlap’s extraordinary landscape Meditations on the Origins of Agriculture in America and a collection of forty paintings and photographs by Southern artists, this volume brings together artists, authors, and scholars to present new perspectives on art and literature both past and present. The volume includes art and text from artists John Alexander, Jason Bouldin, William Dunlap, Carlyle Wolfe Lee, Ke Francis, Linda Burgess, Randy Hayes; photographers Sally Mann, Ed Croom, and Huger Foote; museum directors Betsy Bradley, Jane Livingston, and Julian Rankin; and authors W. Ralph Eubanks, John Grisham, J. Richard Gruber, Jessica B. Harris, Lisa Howorth, Julia Reed, Natasha Trethewey, Curtis Wilkie, Joseph M. Pierce, and Drew Gilpin Faust. This diverse group explores major eras of American history portrayed in Dunlap’s painting, a landscape that evokes the displacement and genocide of Native Americans, the enslavement of Africans, the Civil War, and William Faulkner’s fiction. They examine the history of landscape art in America, connecting art with the works of major writers like William Faulkner, Eudora Welty, Natasha Trethewey, and Jesmyn Ward. In eighteen new essays written during the pandemic and since the events of January 6, 2021, the essayists emphasize how the key issues Dunlap addressed in his 1987 artwork have become part of the national discourse and make his work even more vital today.

Too often depicted as a region with a single, dominant history and a static culture, the American South actually comprises a wide range of unique places and cultures, each with its own history and evolving identity. John Shelton Reed’s Mixing It Up is a medley of writings that examine how ideas of the South, and what it means to be southern, have changed over the last century. Through essays, op-eds, speeches, statistical reports, elegies, panegyrics, feuilletons, rants, and more, Reed’s penetrating observations, wry humor, and expansive knowledge help him to examine the South’s past, survey its present, and venture a few modest predictions about its future. Touching on an array of topics from the region’s speech, manners, and food, to politics, religion, and race relations, Reed also assesses the work of other pundits, scholars, and South-watchers. From Appalachia to New Orleans, Mixing it Up: A South-Watcher’s Miscellany offers a collection of lively prose and provocative observations about this ever-changing region and its people.

This collection of scholarly essays reassesses the Beat Generation writers in mid-century American history and literature, as well as their broad cultural impact since the 60s from contemporary critical, theoretical, historical, and interdisciplinary perspectives. The traditional canon of major writers in this generation is expanded to include women and African Americans. The essays offer critiques of media stereotypes and popular cliches that influence both academic and popular discourse about the Beats, connect the literature of the Beat movement to music, painting, and film, and ultimately open new directions for study of the Beats in the 21st century.