Year of the Mad King: The Lear Diaries, is Antony Sher's account of researching, rehearsing and performing one of Shakespeare's greatest roles: King Lear. His honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and the production as a whole. Also included are a selection of his paintings and sketches, many reproduced in full color.

Edgar Rice Burroughs wrote this tale of confused identity and royal intrigue in 1914 and 1915, as World War I was getting ready to happen: it means to be an homage to Anthony Hope's _Prisoner of Zenda._ But, of course, it isn't Hope writing, but Burroughs: the events that led to the war inform the book, and it speaks to the real events happening as Burroughs wrote. That makes it a very different story from Hope's almost-whimsical novel. Part of the reason Burroughs left such a lasting mark on the world is because he was engaged in the events that surrounded him; the news troubled him deeply and personally. As well it might! He was writing, as he always did, on fantastical topics; but it is the fantastic nature of the twentieth century that is the real text of the man's career. The events that shape our own times now inform the work at hand: Edgar Rice Burroughs is generally described as a "Pulp Writer" -- that's code for a successful hack -- but the truth is that he was much, much more.

Includes an excerpt from Silver on the tree.

Chaka is a genuine masterpiece that represents one of the earliest major contributions of black Africa to the corpus of modern world literature. Mofolos fictionalized life-story account of Chaka (Shaka), translated from Sesotho by D. P. Kunene, begins with the future Zulu kings birth followed by the unwarranted taunts and abuse he receives during childhood and adolescence. The author manipulates events leading to Chakas status of great Zulu warrior, conqueror, and king to emphasize classic tragedys psychological themes of ambition and power, cruelty, and ultimate ruin. Mofolos clever nods to the supernatural add symbolic value. Kunenes fine translation renders the dramatic and tragic tensions in Mofolos tale palpable as the richness of the authors own culture is revealed. A substantial introduction by the translator provides valuable context for modern readers.

Now in paperback. The acclaimed account of researching and playing one of the greatest roles in English drama.

Born into the royal Wittelsbach family of Bavaria, with its legacy of madness, depression and eccentricity, Ludwig II's extravagant and ruinously expensive building projects, coupled with increasingly aberrant behaviour caused the people of his day to wonder. Was Ludwig mad? Was he a genius? Was he just a lonely man, having looked for and given up on love, seeking some kind of spiritual fulfillment? Even today, we wonder. What was the impetus behind his compulsion to build? And was he really insane or a victim of his own government's scheming?

From the New York Times bestselling author of Churchill and Napoleon The last king of America, George III, has been ridiculed as a complete disaster who frittered away the colonies and went mad in his old age. The truth is much more nuanced and fascinating--and will completely change the way readers and historians view his reign and legacy. Most Americans dismiss George III as a buffoon--a heartless and terrible monarch with few, if any, redeeming qualities. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Hamilton, Lin-Manuel Miranda's Broadway masterpiece. But this deeply unflattering characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. After combing through hundreds of thousands of pages of never-before-published correspondence, award-winning historian Andrew Roberts has uncovered the truth: George III was in fact a wise, humane, and even enlightened monarch who was beset by talented enemies, debilitating mental illness, incompetent ministers, and disastrous luck. In The Last King of America, Roberts paints a deft and nuanced portrait of the much-maligned monarch and outlines his accomplishments, which have been almost universally forgotten. Two hundred and forty-five years after the end of George III's American rule, it is time for Americans to look back on their last king with greater understanding: to see him as he was and to come to terms with the last time they were ruled by a monarch.