Imagine, spread before you, every postcard you ever sent or received. Not only do you see whatever is pictured, but also those who sent and received each card. Signatures, addresses, and even dates recall these friends and loved ones. And the messages themselves, both written and understood, recall the who, what, and where that were significant to us at another time. At so many levels, picture postcards connect us to who we were, and are. This book is a gathering of the postcards of an entire community. Every image within these pages carries a part of the fascinating story of "our town"-Yankton, South Dakota-and the people who have made her what she is.

Postcards provide an easy way to go back in time to the early days of South Dakota, to see what the place looked like, to catch a glimpse of how people saw themselves, to begin to understand what has changed and what remains constant. This is the first book to focus entirely on historical postcards from South Dakota, including images from more than 50 counties and 100 different communities.The book also explores how postcard images helped create and perpetuate myths about the "Wild West," and how South Dakotans accepted and adapted those myths. Included are scenes of farming, ranching, industry, and small-town life from the early-1900s. While postcards pictured busy streets, town festivals, and new civic improvements, they also captured periodic disasters-natural and man made. Postcards show the development of important tourist sites from their earliest years, including the Black Hills, Badlands, Corn Palace and Mount Rushmore. Residents and tourists alike will enjoy seeing South Dakota before interstates and billboards took over.

Just as this publication was ready for the printer, a very rare cigar box was listed on an internet auction site. Recognizing its rarity and extraordinary appeal, a decision was made to bid on it with the hopes of purchasing it. As author, I won. But I also knew that it was too late to include this Davy Crockett cigar box alongside the more than 100 other cigar boxes already headlined and profiled in this particular 200-page volume. After winning the bid a final decision was made to illustrate this cigar box on the back cover of this production. In so doing readers have a chance to scrutinize a very rare and a one-of-a-kind cigar box. Of course, any cigar box that lithographically headlines Davy Crockett usually identifies the famous American frontiersman with the Alamo (see this Volume, page 114) and how he and 200 Texans were killed in 1836 by Santa Anna’s 1500 strong Mexican forces. A wide-spread interest in Davy Crockett ever since has become the norm. Tennessee Ernie Ford popularized him in 1955 with his hit “The Battle of Davy Crockett”. John Wayne immortalized Davy Crockett when he played the famous frontiersman in the 1960 Hollywood blockbuster, The Alamo. The stunning lithographic print on the inside lid of a wooden cigar box made by William Simpson of Massachusetts, circa 1900, now highlights this back cover of this book and demonstrates the ultimate bravery of a young Davy Crockett protecting individuals inundated with a blizzard and petrified of wolves trying to push their way into the pioneer Log Cabin (see this Volume, pages 108- 109) that the legendary frontiersman is valiantly guarding and resolutely defending. This Davy Crocket lithographic print is one of the highlight prints of the book....

Plotted and planned as a crossroads town along the developing Milwaukee Railroad, Aberdeen, South Dakota was first settled in 1881. With the arrival of the railroad in 1882, Aberdeen flourished. It earned the nickname of Hub City, serving as a railroad junction and agricultural center. Aberdeen's ability to adapt to a changing economy has led to steady growth and has made it the third largest city in the state. Using more than 200 images, authors Tom Hayes and Mike Wiese take the reader on a historic tour of Aberdeen. Drawing on their immense postcard collection, they tell the story of this tight-knit community and the incredible people who are an integral part of its history.