Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.

Victorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt Gänzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.

Albert Smith is one of the most famous Victorians of whom you've probably never heard. During his lifetime, he was a household name, thrilling audiences with his Ascent of Mont Blanc show at London's Egyptian Hall. An inveterate showman, Smith was also a doctor, journalist, raconteur, novelist, travel writer, and playwright. His many talents were outstripped only by his boundless self-belief and huge personality. Even Queen Victoria described him in her journal as "inimitable", an epithet Smith's contemporary Charles Dickens liked to reserve for himself. Although Smith died aged only 43, he managed to pack much incident into his short life. He was robbed by highwaymen in Italy, narrowly escaped death in a hot air ballooning accident, and dodged arrest in Paris during the June Days Uprising of 1848. He also got caught up in the row over Dickens's affair with Ellen Ternan. While his bumptiousness made Smith a divisive figure, many saw in him the Victorian ideal of the self-made man: energetic, imaginative, and ready to seize any new opportunity. As Alan McNee explains in this lively biography, it was his intrepid ascent of Mont Blanc in 1851 that propelled Smith to stardom. His subsequent show inspired 'Mont Blanc mania', encouraging participation in mountaineering as a popular pursuit. The Cockney Who Sold the Alps is a story of ambition, spectacle, and the fleeting nature of celebrity.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

From the signing of the Constitution to the eve of the Civil War there persisted the belief that slaveholding southerners held the reins of the American national government and used their power to ensure the extension of slavery. Later termed the Slave Power theory, this idea was no mere figment of a lunatic fringe’s imagination. It was, as Leonard L. Richards shows in this innovative reexamination of the Slave Power, endorsed at midcentury by such eminent and circumspect men as Abraham Lincoln, William Henry Seward, Charles Sumner, the editors and owners of the New York Times and the Atlantic Monthly, and the president of Harvard College. With The Slave Power, Richards reopens a discussion effectively closed by historians since the 1920s—when the Slave Power theory was dismissed first as a distortion of reality and later as a manifestation of the “paranoid style” in the early Republic—and attempts to understand why such reputable leaders accepted this thesis wholeheartedly as truth and why hundreds of thousands of voters responded to their call to arms. Through incisive biographical cameos and narrative vignettes, Richards explains the evolution of the Slave Power argument over time, tracing the oft-repeated scenario of northern outcry against the perceived slaveocracy, followed by still another “victory” for the South: the three-fifths rule in congressional representation; admission of Missouri as a slave state in 1820; the Indian removal of 1830; annexation of Texas in 1845; the Wilmot Proviso of 1847; the Fugitive Slave Law of 1850; and more. Richards probes inter- and intraparty strategies of the Democrats, Free-Soilers, Whigs, and Republicans and revisits national debates over sectional conflicts to elucidate just how the southern Democratic slaveholders—with the help of some northerners—assumed, protected, and eventually lost a dominance that extended from the White House to the Speaker’s chair to the Supreme Court. The Slave Power reveals in a direct and compelling way the importance of slavery in the structure of national politics from the earliest moments of the federal Union through the emergence of the Republican Party. Extraordinary in its research and interpretation, it will challenge and edify all readers of American history.