Yanagita Kunio almost singlehandedly initiated the serious study of folklore in Japan. Even modern Japanese folklorists who may disagree with his approach or his methods must take his body of work as a point of departure for their own. This book, first published in 1990, puts Yanagita’s career within a historical framework and context, full of detail about Japanese political and literary trends which influenced or were influenced by the folklore scholarship of Yanagita.

A collection of essays by North American and Japanese scholars on the life, work and influence of Yanagita Kunio (1875-1962), the founder of Japanese Folklore Studies. In addition to providing background information on Yanagita and his discipline, the eight contributors whose evaluations of Yanagita vary critically examine his research methodology, political stance, use of language, relevance for nation-building efforts in the Third World, and impact on Japanese intellectuals. Also included is an annotated translation of Chapter Two of Yanagita's 1941 essay, Nihon no matsuri (The Festivals of Japan).

"Yanagita Kunio (1875–1962) was a public intellectual who played a pivotal role in shaping modern Japan’s cultural identity. A self-taught folk scholar and elite bureaucrat, he promoted folk studies in Japan. So extensive was his role that he has been compared with the fabled Grimm Brothers of Germany and the great British folklorist James G. Frazer (1854–1941), author of The Golden Bough. This monograph is only the second book-length English-language examination of Yanagita, and it is the first analysis that moves beyond a biographical account of his pioneering work in folk studies. An eccentric but insightful critic of Japan’s rush to modernize, Yanagita offers a compelling array of rebuttals to mainstream social and political trends in his carefully crafted writings. Through a close reading of Yanagita’s interdisciplinary texts, which comment on a wide range of key cultural issues that characterized the first half of Japan’s twentieth century, Melek Ortabasi seeks to reevaluate the historical significance of his work. Ortabasi’s inquiry simultaneously exposes, discursively, some of the fundamental assumptions we embrace about modernity and national identity in Japan and elsewhere."

Boldly illustrated and superbly translated, Folk Legends from Tono captures the spirit of Japanese peasant culture undergoing rapid transformation into the modern era. This is the first time these 299 tales have been published in English. Morse's insightful interpretation of the tales, his rich cultural annotations, and the evocative original illustrations make this book unforgettable. In 2008, a companion volume of 118 tales was published by Rowman & Littlefield as the The Legends of Tono. Taken together, these two books have the same content (417 tales) as the Japanese language book Tono monogatari. Reminiscent of Japanese woodblocks, the ink illustrations commissioned for the Folk Legends from Tono, mirror the imagery that Japanese villagers envisioned as they listened to a storyteller recite the tales.The stories capture the extraordinary experiences of real people in a singular folk community. The tales read like fiction but touch the core of human emotion and social psychology. Thus, the reader is taken on a magical tour through the psychic landscape of the Japanese "spirit world" that was a part of its oral folk tradition for hundreds of years. All of this is made possible by the translator's insightful interpretation of the tales, his sensitive cultural annotations, and the visual charm of the book's illustrations. The cast of characters is rich and varied, as we encounter yokai monsters, shape-shifting foxes, witches, grave robbers, ghosts, heavenly princesses, roaming priests, shamans, quasi-human mountain spirits, murderers, and much more.

Yanagita Kunio (1872-1962) is widely known as the founder of folklore studies in Japan, and his achievement in presenting a systematic framework for the discipline is highly valued amongst academic writings. However, many of his ideas still need to be examined, and in recent years there has been a renewal of interest in his works, especially among scholars of intellectual history. This re-evaluation of his achievements is generally attributable to the current view that Yanagita retained an independent position as an intellectual struggling to solve the various problems that dominated Japan in the years of great change from Meiji and Taisho to Showa. First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.