These writings are inspired by the medieval-period Japanese Noh play Yamamba, and by Ohba Minako’s short story “Smile of a Mountain Witch” which contemporizes the Yamamba legend.Yamamba (sometimes written as “Yamauba”) is an elderly figure who is alternately described as a “witch” or a “holy spirit.” The first act of the Noh play presents a priest and dancer on pilgrimage to Zenkoji Temple (literally “Temple of the Good Light”) who encounter a powerful and ambiguous figure of an old woman in the mountain. The travellers comment on the strange changes in Nature that day, with the sky suddenly darkening. By the second act, the old woman has exited and returned to reveal herself fully as Yamamba, her true self, with matted white hair and a reddened face. Yamamba is a paradoxical figure. She aids the woodsman and the weaver, but also hides the sun behind storm clouds and frightens the traveller. Stamping the ground, pointing to the center of the earth with her fan, Yamamba leans on her cane (decorated with evergreen leaves) and shares with us her journey as she traverses the mountain paths, in pain.

Alluring, nurturing, dangerous, and vulnerable the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era? Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story “The Smile of the Mountain Witch” by acclaimed woman writer Ōba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment. This unique collection represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba.

Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.

Significantly expanded and updated—a lively excursion into Japanese folklore and its increasing influence within global popular culture. Monsters, spirits, fantastic beings, and supernatural creatures haunt the folklore and popular culture of Japan. Broadly labeled yōkai, they appear in many forms, from tengu mountain goblins and kappa water sprites, to shape-shifting kitsune foxes and long-tongued ceiling-lickers. Popular today in anime, manga, film, and video games, many yōkai originated in local legends, folktales, and regional ghost stories. The Book of Yōkai invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. Revised and expanded, this second edition features fifty new illustrations, including an all-new yōkai gallery of stunning color images tracing the visual history of yōkai across centuries. In clear and accessible language, Michael Dylan Foster unpacks the cultural and historical contexts of yōkai, interpreting their varied meanings and introducing people who have pursued them through the ages.

The Religious Art of Zen Master Hakuin is a stunning volume containing many of Hakuin's finest calligraphies and paintings. Katsuhiro Yoshizawa, the leading Japanese expert on Hakuin, masterfully reveals the profound religious meaning embedded in each artwork, providing a richly detailed documentary of the life and lessons of one of Zen's most respected teachers.

An extraordinary collection of Japanese folk tales, many in English for the first time! This book contains 79 stories from the Japanese collection Tales from Shinshu, compiled and edited by award-winning author Noboru Wada. It features traditional tales of yokai, ghosts, mountain witches, demons and apparitions frequently sighted in and around the mountainous Shinshu region in central Japan, such as: The Legend of the Snow Woman: A beautiful woman appears at Minokichi's door one night in a snowstorm. They marry and live happily, until one day her terrible secret is revealed. Kappa Taro: A legendary yokai terrifies villagers by luring them into a pond, where they drown. Can Suwa Yorito, famed for his strength, successfully challenge this terrifying demon? The Yamamba Witch's Daughter: Who would ever dream of marrying a mountain witch? Can the Yamamba's daughter find the love and happiness she seeks? These stories have been passed down for generations from grandparents to their grandchildren, sitting around the hearth on cold and snowy winter nights. They are well-known throughout Japan and are believed by the inhabitants of Shinshu to have actually occurred in the distant past!