- ¿cuáles son las nuevas 'definiciones' que serían necesarias para poder articular códigos y vías de comunicación válidas en un tiempo en el que los ríos fluyen vigorosos de puro ruido? - ¿libertad y comunicación son valores que se anulan mutuamente? - ¿cuáles son las vías por las cuales (entre todo el ruido) corre realmente la información? - ¿filtros? - ¿cómo evitar entrar al juego? / ¿o cómo salir? / ¿o a dónde salir? / ¿para volver a entrar? - ¿dónde queda el outside? // - What are the new 'definitions' that would be needed to articulate codes and communication channels valid in a time where the rivers flow of pure strong noise? - Are communication and freedom values that are canceled each other? - Filters? - What are the mechanisms of deactivation of a system that eats everything?- How to avoid entering the game? / Or how to get out? / Or where to go out? / ¿To re-enter? - Where is the outside?+ ysinembargo.com

'I must down to the seas again, to the lonely sky and sea' John Masefield was sent to join a training ship at a young age, his aunt hoping the experience would cure him of his addiction to books. Instead, Masefield was to become one of the greatest writers on life at sea. In this collection of short stories, extracts from novels, poetry (including 'Sea-Fever' and 'Cargoes' which Betjeman said 'will be remembered as long as the language lasts') and autobiography, he writes of the hardship, romance and adventure of seafaring with a sailor's way with language and sense of a good yarn- of life in dock and on the swelling seas, of salt spray, mutiny, great storms, the spirits beneath the waves, and the devil and Davy Jones playing dice for souls. This edition includes an introduction by Philip W. Errington on Masefield's reputation, his mistreatment of his own youthful work, and his conflicted attitude to his colourful life story. It also includes a chronology, further reading and notes. Edited with an introduction and notes by Philip W. Errington