When a frontier town goes dry, the sheriff must enforce the law—and go toe to toe with deadly bootleggers—in this historical Western. It was a law Cotton Pickens never asked for and never wanted to enforce. But due to the vigilance of the Women's Temperance Society, the town of Doubtful, Wyoming, is going dry as of January 1st. And since Doubtful’s hell-raisers will never take it lying down, the new year is rung in with the promise of gunshots ringing out. While Sheriff Pickens is fighting bootleggers and vigilantes, the righteous women push through an even worse law bound to spark an outright insurrection. The world's oldest profession is the next vice to be outlawed. With all hell breaking loose and the National Guard on the way, Sheriff Pickens has enemies everywhere he turns. And for a lawman under siege, survival means fast thinking, straight shooting—and breaking a law or two himself . . .

In mid-November 1900 a herd of sheep crossed a plowed furrow “deadline” which had separated the public ranges for cattle and sheep herds for many years. On the early morning of December 28, 1900, a determined group of cattlemen led by a future Wyoming Governor and U.S. Senator destroyed a band of 2113 head of sheep which had “invaded” their range. The story was cloaked by a “conspiracy of silence” for nearly 75 years—finally coming to light 40 years after the Senator’s death. Yet some of the facts and motivations remained shrouded in mystery. This is the full story told for the first time.

The Greatest Western Writer Of The 21st Century An epic saga of the O'Briens, father Shamus and his sons Shawn, Patrick, Jacob, and Samuel, homesteaders fighting to survive the untamed Western wilderness. . . A USA Today bestselling author whose novels ring with authenticity and power. . . A thrilling adventure across the border of Mexico--up against an enemy more powerful and deadly than any the O'Briens could ever envision. . . Slaughter Time New Mexico Territory is no stranger to bad men. But south of the border, on the wild Mexican coastline, is another kind of wicked: a murderous Arab with a ship full of stolen women--to be sold as sex slaves in the four corners of the world. Among them is a missing local school teacher Shawn O'Brien has been searching for--a woman with a past she's kept carefully hidden. Now Shawn, along with a half-mad bear hunter and a professional hangman fight their way to the coast for a blood-soaked battle between the slavers and the U.S. Navy. When the action runs aground, O'Brien gets his chance: to face down an Arab sheik who profits from human misery. . .and makes a sport of slaughter. . .

Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.

When Debra Moerke and her husband decided to become foster parents, they never imagined how their lives would change. Debra became especially close to one little girl: four-year-old Hannah. She loved her and did everything she could to help Hannah learn to trust and teach her to feel safe. But when Hannah went back to her birth mother, Karen, it wasn't long before one of Debra's worst fears came true. Overwhelmed with horror and grief, Debra didn't think she could take anymore, but then she received a phone call from prison. Karen, facing a life sentence, was pregnant, and she had a shocking question to ask ...