Superb treasury presents an informative survey of wrought iron throughout England with illustrations of gates, railings, screens, and other elaborately rendered works. 239 black-and-white illustrations.

Cast iron flourished during the 19th century in an amazing variety of forms, often of extreme richness of design. This volume surveys cast iron decoration worldwide in over 500 illustrations - specially taken photographs of surviving work supported by reproductions of pattern books and drawings. All national variations are covered, from Victorian Brighton to New Orleans, from Paris and Lisbon to the relics of colonial empire in South Africa, India, Tahiti and Mexico. The author details its relationship to architecture and its aesthetic contribution to buildings.

This classic work documents the many uses and ingenious adaptations of wrought iron in architecture, with numerous examples from the fourteenth century through the twentieth centuries. Gerald Geerlings' extensive introduction details the properties of wrought iron; its textures; tools and terms of the trade; architectural applications, design, motifs, and ornamentation; economic considerations; finishing; and more. The author illuminates the history of wrought iron with carefully researched surveys of the craft in several countries, including Italy, Spain, England, Germany, France, Belgium, Holland, and America. Nearly 400 illustrations, including 73 clear drawings and 307 sharply focused photographs of gates, railings, screens, lighting fixtures, bannisters, balconies, door knockers, and other objects, chronicle the evolution of wrought iron as both a structural and decorative material. Special attention is devoted to early-twentieth-century developments and applications of this highly useful metal.

Artists have made gates and fences in wrought iron over the centuries in ornamental designs shown here in hundreds of photos. The restoration of wrought iron is discussed and ironwork examples are organized according to their uses, such as gratings that protect doors and windows, entries and gates from Europe in the Middle Ages, artistic creations of the 17th and 18th centuries, and works of our own day.

"Iron at Winterthur brings to light this extraordinary but oft-overlooked collection. It presents a range of the best and most representative forms, and it is intended as a record documenting a cross section of artifacts imported or made and used in America during the seventeenth, eighteenth, and nineteenth centuries. The author carefully selected each artifact as evidence of the deliberate act by the ironworker to incorporate artistry into his craft."--Jacket.

Edgar Brandt: Master of Art Deco Ironwork is the first book to document the life and work of the premier metalsmith of the twentieth century. A member of a group of extraordinary artist-craftsmen that included Emile-Jacques Ruhlmann, Jean Puiforcat, and Jean Dunand, among others, Edgar Brandt (1880-1960) was a leading force during a period of great achievement in French decorative arts and design, creating an entirely new aesthetic for the medium of wrought iron.