Writing to Reason presents the principles of writing a clear and well-argued philosophy paper in an easily-referenced numerical format, which facilitates efficient grading and clearer communication between instructors and students. Points out the most common problems students have achieving these objectives Increases efficiencies for instructors in grading papers Presents students with clearer information, objectivity, and transparency about their graded results Facilitates clearer communication between instructors and students

Focusing on the formal development of mathematics, this book shows readers how to read, understand, write, and construct mathematical proofs.Uses elementary number theory and congruence arithmetic throughout. Focuses on writing in mathematics. Reviews prior mathematical work with “Preview Activities” at the start of each section. Includes “Activities” throughout that relate to the material contained in each section. Focuses on Congruence Notation and Elementary Number Theorythroughout.For professionals in the sciences or engineering who need to brush up on their advanced mathematics skills. Mathematical Reasoning: Writing and Proof, 2/E Theodore Sundstrom

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Guidelines, strategies, and practice in writing for academic success.

This brief rhetoric of argument teaches critical reading, informal reasoning, and writing as reasoned inquiry, and now features a mini-anthology of arguments on civic and ethical issues. The Shape of Reason emphasizes the enthymeme as the central basis for the invention and structure of arguments. This approach blends classical insights into rhetorical reasoning with contemporary understandings of the composing process as generative and organic, situated within discourse communities. The book helps students understand argument as inquiry, stressing the responsibility that writers have to their audience and to their own ideas in structuring arguments that earn their conclusions and in considering opposing arguments.

This timely intervention into composition studies presents a case for the need to teach all students a shared system of communication and logic based on the modern globalizing ideals of universality, neutrality, and empiricism. Based on a series of close readings of contemporary writing by Stanley Fish, Asao Inoue, Doug Downs and Elizabeth Wardle, Richard Rorty, Slavoj Zizek, and Steven Pinker, this book critiques recent arguments that traditional approaches to teaching writing, grammar, and argumentation foster marginalization, oppression, and the restriction of student agency. Instead, it argues that the best way to educate and empower a diverse global student body is to promote a mode of academic discourse dedicated to the impartial judgment of empirical facts communicated in an open and clear manner. It provides a critical analysis of core topics in composition studies, including the teaching of grammar; notions of objectivity and neutrality; empiricism and pragmatism; identity politics; and postmodernism. Aimed at graduate students and junior instructors in rhetoric and composition, as well as more seasoned scholars and program administrators, this polemical book provides an accessible staging of key debates that all writing instructors must grapple with.

When Rachel's baby is stillborn, she becomes obsessed with the idea that saving a stranger's life months earlier is to blame. An unforgettable, heart-wrenching, warm and funny debut... 'Emotionally engaging, witty, clever and wonderfully satisfying' Daily Express 'A stunning debut ... a wise, moving, and thought-provoking novel' Susan Elliot Wright, author of The Flight of Cornelia Blackwood 'A heartbreaking, deeply moving and wonderfully witty tale, which celebrates all it means to be human' Isabelle Broom, author of The Getaway –––––––––––––– Mum-to-be Rachel did everything right, but it all went wrong. Her son, Luke, was stillborn and she finds herself on maternity leave without a baby, trying to make sense of her loss. When a misguided well-wisher tells her that "everything happens for a reason", she becomes obsessed with finding that reason, driven by grief and convinced that she is somehow to blame. She remembers that on the day she discovered her pregnancy, she'd stopped a man from jumping in front of a train, and she's now certain that saving his life cost her the life of her son. Desperate to find him, she enlists an unlikely ally in Lola, an Underground worker, and Lola's seven-year-old daughter, Josephine, and eventually tracks him down, with completely unexpected results... Both a heart-wrenchingly poignant portrait of grief and a gloriously uplifting and disarmingly funny story of a young woman's determination, Everything Happens for a Reason is a bittersweet, life- affirming read and, quite simply, unforgettable. –––––––––––––– 'A beautiful novel, bursting with raw emotional honesty and authenticity' Gill Paul, author of The Secret Wife 'So affecting. Profoundly sad. Funny. I just loved it' Louise Beech, author of This Is How We Are Human 'Darkly funny, yet poignant and moving ... Rachel's quest to find out if everything happens for a reason is both heartbreaking and heartwarming' Anna Bell, author of In Case You Missed It 'Some books teach you, others touch your soul, then there are books like this one that bury deep and create a home in your heart' Emma-Claire Wilson, Glass House Magazine 'A triumph ... a book of hope and ambition and making sense of the world, a tale of acting spontaneously, living in the moment and throwing caution to the wind' Isabella May, author of Oh! What a Pavlova 'An incredibly important and beautifully written book. Bittersweet and brave, it will keep you both laughing and crying until the last page' Kate Ford, actress, Coronation Street 'The perfect mix of clever, funny and intensely moving' Cari Rosen, author of Secret Diary of a New Mum Aged 43 1⁄4 'A heart-wrenching, soul-lifting read about loss and redemption in unlikely places' Eve Smith, author of The Waiting Rooms 'Read it and weep but also, incredibly, find moments to laugh and to know there is life after death' Julia Hobsbawm, author of The Simplicity Principle 'Simultaneously devastating and hilarious' Clare Allan, author of Poppy Shakespeare 'A memorable, poetic read ... The writing reminded me of Eleanor Oliphant' Becky Fleetwood, author of the Chroma series 'Quirky yet insightful, bright yet wistful, amusing yet emotional ... full of contradictions that fuse into the most surprising, moving, and beautiful novel' LoveReading For fans of Jonas Jonasson, Matt Haig, Graeme Simsion and Rachel Joyce.