Long known as the Cannibal Dance, the Hamat̓sa is among the most important hereditary prerogatives of the Kwakwa̱ka̱ꞌwakw of British Columbia. In the late nineteenth century, as anthropologists arrived to document the practice, colonial agents were pursuing its eradication and Kwakwa̱ka̱ꞌwakw were adapting it to endure. In the process, the dance – with dramatic choreography, magnificent bird masks, and an aura of cannibalism – entered a vast library of ethnographic texts. Writing the Hamat̓sa offers a critical survey of attempts to record, describe, and interpret the dance over four centuries. Going beyond postcolonial critiques of representation that often ignore Indigenous agency in the ethnographic encounter, Writing the Hamat̓sa focuses on forms of textual mediation and Indigenous response that helped transofrm the ceremony from a set of specific performances into a generalized cultural icon. This meticulous work illuminates how Indigenous people contribute to, contest, and repurpose texts in the process of fashioning modern identities under settler colonialism.

The Salish Archipelago includes more than 400 islands in the Salish Sea, an amalgamation of Canada’s Georgia Strait, the United States’ Puget Sound, and the shared Strait of Juan de Fuca. The Salish Sea and Islands are named for the Coast Salish Indigenous Peoples whose homelands extend across the region. Holiday homes and services have in many places displaced pristine ecosystems, Indigenous communities, and historic farms. Will age-old island environments and communities withstand the forces of commodity-driven economies? This new, major scholarly undertaking provides the geographical and historical background for exploring such questions. Salish Archipelago features sections on environment, history, society, and management, accompanied by numerous maps and other illustrations. This diverse collection offers an overview of an embattled, but resilient, region, providing knowledge and perspectives of interest to residents, educators, and policy makers.

Focuses on literature by and about Canada's native peoples and contains original articles and poems by both native and non-native writers. Directs the reader to the underlying traditions - largely misunderstood by the non-native community - of myths, rituals and songs.

Long before vacationers discovered BC’s Sunshine Coast, the Sliammon, a Coast Salish people, called the region home. In this remarkable book, Sliammon elder Elsie Paul collaborates with a scholar, Paige Raibmon, and her granddaughter, Harmony Johnson, to tell her life story and the history of her people, in her own words and storytelling style. Raised by her grandparents who took her on their seasonal travels, Paul spent most of her childhood learning Sliammon ways, teachings, and stories and is one of the last surviving mother-tongue speakers of the Sliammon language. She shares this traditional knowledge with future generations in Written as I Remember It.

Traces the development of poet laureate George Bowering's many writings through four decades.

A study of the literary influence of Edward Curtis's multi-volume collections of Native American photographs.